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The new season's runways were high on imagination and low (usually) on showy technique. Sure, there were a few off-the-chart moments—Alexander McQueen's poodle-haired aliens and John Galliano's fox, ivy, and Saran wrap headdresses. But for the most part, it was a near-constant parade of simply beautiful looks that made the prospect of fall even more appealing.
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Badgley Mischka's perfect ladylike look put classic red lips, minimal gray shadow, and lots of clean mascara against a pale, matte face.
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With luminous cheeks and eyes, Diane Kendal summoned the free spirit of Charlotte Rampling for Calvin Klein.
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Perfectly windblown locks at Carolina Herrera: what we'd all look like if Orlando Pita were Mother Nature.
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Luigi Murenu's soft, finger-combed style was meant to mimic the Chloé designer's easy coiffure and made us all into Phoebe Philo-philes.
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Now that's a pout with clout: Pat McGrath's excellent matte, Bordeaux-stained lips for Louis Vuitton.
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Among the bevy of beautiful nudes (lips, that is) were Gucci Westman's at Carolina Herrera, Pat McGrath's at Versace, Dick Page's at Michael Kors, and Charlotte Tilbury's at Givenchy.
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In a season of many updos, Eugene Souleiman's side-parted, nonchalant twist for Narciso Rodriguez was one of the best.
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Plum, brown, and blue made up a modern smoky eye (finally), thanks to Tom Pecheux at Roberto Cavalli.
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And speaking of celebrities gone by—Madame de Pompadour was nearly ubiquitous, with rococo-worthy poufs on the runways of Chanel, Dior, Ungaro, and Rochas.
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The lovely loose curls with pinned crowns, pink cheeks, and blue eyes at Tuleh channeled SJP at her prettiest.
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