MILAN, February 22, 2007 It was a case of trend overload at Alessandro Dell’Acqua. The show opened with a neoprene parka lined in long-haired fur that suggested he was about to take off in a sporty new direction; also on the sporty side were hyper-fitted puffer jackets that came tucked under or into dresses and skirts constructed from Hervé Léger-esque bandages (which, rather randomly, also accented sweaters and knit vests). But Dell'Acqua was only getting started. There was also a remix of last season’s metallics, which were draped into a goddess minidress
and a dash of futurism, in the form of space-age silver quilting
and don’t forget the designer’s signature lingerie stylings: Cocktail numbers were spliced with lace or veiled with nude chiffon. A few white girdles somehow made it out onto the runway, too.
As is often the case, the most successful pieces were the simplestsay a cocooning gray coat embellished only with elbow patches. The designerwho took his bow to Pat Benatar's Love Is a Battlefieldclearly had the new eighties power babe in mind, and the collection did tap into this season's tough-chic vibe. The trouble is, he seemed to take his ideas from every place but his own imagination to get there.
Nicole Phelps
As is often the case, the most successful pieces were the simplestsay a cocooning gray coat embellished only with elbow patches. The designerwho took his bow to Pat Benatar's Love Is a Battlefieldclearly had the new eighties power babe in mind, and the collection did tap into this season's tough-chic vibe. The trouble is, he seemed to take his ideas from every place but his own imagination to get there.
Nicole Phelps






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