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Louis Vuitton

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NEW YORK, January 12, 2012
By Nicole Phelps
Disney's "It's a Small World" was playing at Louis Vuitton's presentation. It's a fitting message; few brands have the global reach of this powerhouse. For pre-fall, design director Julie de Libran opted to expand on the house codes established since Marc Jacobs moved in and began designing ready-to-wear for the company nearly 14 years ago. And she did that through the lens of Charlotte Perriand, the late architect and designer who's as well-known in France for her personal style as for her prodigious output between the wars.

That meant that the clothes had a vaguely 1940's feel, with menswear checks bonded to duchesse satin to produce the softened, slightly rounded shapes of car coats and skirtsuits. It also gave de Libran a reason to put a military spin on the proceedings. Trompe l'oeil frogging details dressed up both a baby-doll dress belted high on the waist and a princess coat. As for other house codes, the iconic Stephen Sprouse leopard print made an encore performance on a sharp mohair jacquard pantsuit. The charm factor was high here—see the studded and grommeted berets and the shoes with tufts of fur spilling out. Most important to the brand, however, is the reintroduction of the Papillon bag. Now in a mini size, the cylindrical tote came "debossed" with the LV logo. The world is full of embossed monogram bags, after all.

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