Sophia Kokosalaki
REVIEW
COMPLETE COLLECTION
LONDON, February 18, 2003
By Sarah Mower
Curvy, ivory, anatomically pieced dresses, sometimes overrun with raised top-seaming like contour lines on a map: these were the opening statements by which Sophia Kokosalaki announced a change of direction. For a couple of seasons, the designer has been too caught up with complicated cutouts, strung together with folk-derived macramé from her Greek heritage. Now she’s working out a new way of conveying her distinctive signature, cleaning up silhouettes with her own brand of futurism. A child of the 80s, Kokosalaki admits that the costumes in Star Trek made an impression on her. Others might connect her latest move with the admiration for Azzedine Alaïa and the Mugler/Montana era that is currently in the air. Either way, what sets her apart is a design integrity that keeps her from making literal reinterpretations.For fall, Kokosalaki synthesized the lessons and experiments of her past collections with a cleaner, more body-conscious look. Her cutouts, for instance, were replaced by patches of pleated metallic leather or flattened frills, implanted in necklines or at the hips, so that the motif now reads like a pattern of gilded wings. Further into the show, she developed that idea into a whole leather skirt, done in pleated tiers of copper and pewter leather. The real achievement of this collection, however, was that she never allowed herself to be distracted by the details. Kokosalaki’s strongest stroke was the definition of a concise proportion, cutting all her hemlinesdresses and coats includedto four inches above the knee and rebalancing the silhouette with the tendency to a wider shoulder. Some of her boxy coat-jackets came with military epaulets and were shown with leggings and high boots, others as glamorous edge-to-edge clutch coats with volume in the shoulder line.
Overall, though, it’s the chic femininity of Kokosalaki’s workher love of developing form-flattering dresses and the ability to adjust her vision without losing her identitythat marks her out as a fast-maturing talent.
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Fall 2003 Ready-to-Wear
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Alberta Ferretti Alessandro Dell'Acqua Alexander McQueen Anna Molinari Anna Sui Ann Demeulemeester Anne Klein -
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Badgley Mischka Balenciaga BCBG Max Azria Behnaz Sarafpour Betsey Johnson Bill Blass Blaak Boudicca Burberry Prorsum -
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Calvin Klein Capucci Carolina Herrera Celine Chloé Christian Dior Clements Ribeiro Comme des Garçons Costume National -
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D&G Diane von Furstenberg DKNY Dolce & Gabbana Donna Karan Dries Van Noten -
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Emanuel Ungaro Emilio Pucci Emma Cook Emporio Armani -
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Fendi -
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Gianfranco Ferré Gibo Giorgio Armani Givenchy Gucci -
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Hamish Morrow Helmut Lang Hussein Chalayan -
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Imitation of Christ -
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James Coviello Jasper Conran Jean Paul Gaultier Jeremy Scott Jill Stuart Jil Sander John Galliano Julien Macdonald Junya Watanabe -
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Katayone Adeli Kenneth Cole New York Krizia -
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Lagerfeld Gallery Lanvin Louis Vuitton Luella -
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Marc by Marc Jacobs Marc Jacobs Marni Martine Sitbon Martin Grant Matthew Williamson MaxMara Michael Kors Missoni Miu Miu Moschino -
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Narciso Rodriguez Nicole Farhi Nicole Miller -
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Oscar de la Renta -
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Paul Smith Women Peter Som Pierrot Prada Preen Proenza Schouler -
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Ralph Lauren Rick Owens Roberto Cavalli Rochas Roland Mouret -
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Sonia Rykiel Sophia Kokosalaki Stella McCartney -
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Tommy Hilfiger -
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Undercover -
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Valentino Vera Wang Veronique Branquinho Versace Versus Viktor & Rolf -
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Wink -
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Y-3 Yohji Yamamoto Ys Yves Saint Laurent -
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Zac Posen Zero + Maria Cornejo

















