Alexander McQueen
PARIS, March 5, 2004
By Sarah Mower
It's only understandable that if the man who's been at the eye of the whirlwind of negotiations about taking up the reins at Yves Saint Laurent might have been thrown into an emotional spin. As we now know, Alexander McQueen turned down the offer, saying that it was far more important for him to concentrate on his own label. But although his fundamental instincts may be sound, the pain, strain, and self-questioning of recent weeks showed in this collection.McQueen's intention, he said, was to strip away "all theatrics and focus purely on design." In one way, his declaration is right on: Fashion, hedged about with so much overcomplicated stuff, does feel in want of a good, rigorous cleansing. Perhaps that's why the show looked like a strange kind of rebirthing. His first model, in flesh-pale slippery jersey from top to toe, looked like an embryonic alien being, stepping with horrible vulnerability from a spacecraft onto a kind of landing pad. She led out a parade of similarly nude-colored outfits in tweed, double-faced cashmere, leather, jersey, and chiffon, in which McQueen seemed to be trying to summarize the essence of his design identity. He pared it down to some of his familiar shapesjumpsuits, molded hourglass coats, nipped-waist suitsall shorn of the elaborate fabrics and embroideries of past seasons. The best of his coats was an ivory swing-skirted shearling, one of the most believably commercial items in the collection.
Yet, throughout there was a sense that the audience was waiting for the moment when this sci-fi-accented show would take off in the usual, thrilling, turbo-charged McQueen manner. A couple of frosted Mongolian-lamb hooded jackets almost did it, but then the mood subsided again into evening, where the long jersey draped dresses looked as if they might have been designed in a mood when McQueen's mind really had been turned toward Saint Laurent.
It was a pityif only humanthat the collection didn't quite live up to expectations at such a crucial time for McQueen. But then again, this is fashion. There's always next season.
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Fall 2004 Ready-to-Wear
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A.F. Vandevorst Akris Alberta Ferretti Alessandro Dell'Acqua Alexander McQueen Anna Molinari Anna Sui Ann Demeulemeester As Four -
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Badgley Mischka Balenciaga BCBG Max Azria Behnaz Sarafpour Bill Blass Bottega Veneta Boudicca Burberry Prorsum -
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Calvin Klein Carolina Herrera Celine Chado Ralph Rucci Cher Michel Klein Chloé Christian Dior Christian Lacroix Clements Ribeiro Comme des Garçons Costume National -
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D&G Daryl K Derek Lam Diane von Furstenberg DKNY Dolce & Gabbana Donna Karan Dries Van Noten Dsquared² -
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Emanuel Ungaro Emilio Pucci Emporio Armani -
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Fendi -
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Giles Giorgio Armani Givenchy Gucci -
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Helmut Lang Hermès Hussein Chalayan -
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Imitation of Christ -
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J. Mendel Jean Paul Gaultier Jeffrey Chow Jill Stuart Jil Sander John Galliano Jonathan Saunders Junya Watanabe -
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Kenneth Cole New York -
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Lagerfeld Gallery Lanvin Lawrence Steele Libertine London Roundup Louis Vuitton Luca Luca Luella -
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Marc by Marc Jacobs Marc Jacobs Marni Martine Sitbon Martin Grant MaxMara Menichetti Michael Kors Missoni Miu Miu Monique Lhuillier Moschino -
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Narciso Rodriguez Nina Ricci -
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Oscar de la Renta -
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Perry Ellis Peter Som Phi Pierrot Pollini Prada Preen Proenza Schouler -
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Ralph Lauren Revillon Rick Owens Roberto Cavalli Rochas -
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Sebastian Pons Sonia Rykiel Sophia Kokosalaki Stella McCartney -
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Tim van Steenbergen Tuleh -
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Undercover United Bamboo -
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Valentino Vera Wang Veronique Branquinho Versace Versus Viktor & Rolf -
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Yohji Yamamoto Ys Yves Saint Laurent -
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