Jill Stuart

NEW YORK, February 7, 2005
By Laird Borrelli
The Jill Stuart show always draws a large contingent of Japanese press and buyers—apparently, according to one of the editors on hand today, thanks to the kawaii quality of the designer's aesthetic. Translation: the sweet, pretty values that encompass everything from the models (always innocent-looking) to Stuart's penchant for everything decorative.

Stuart worked a fresh, amethyst palette for fall, showcased most attractively in an ombré peasant-style skirt made of strips of variously hued lace. Also noteworthy were snug equestrian jackets and the first look, a velvet coat cinched tightly at the waist with a beautifully embroidered wide belt. Her use of pretty French fabrics, like a red and white toile and an eighteenth-century-style silk floral, tied in with the current craze for all things Marie Antoinette, though a slightly panniered purple toile dress went astray. As a whole, the collection was a grab bag: Anna Karenina (Cossack coat) meets National Velvet, with a dash of Lanvin (a sequined sage peasant blouse) and Madame Grès (the finale's goddess dresses) thrown in for good measure.

Style.com

Style File Blog

november 26, 2009

Outside sources

J.Crew’s Coup, Beckham’s Jeans, And More…

12:11 PM
Recession scorecard: J.Crew handily doubles its earnings. We swear we had nothing to do with it. ...

Style hunter

Are You Ready For Web 3.0?

11:11 AM

Social intelligence

Born Lippy

11:11 AM

more from the style file blog ›