Menichetti

MILAN, February 21, 2005
By Sarah Mower
For fall, Roberto Menichetti put his version of modernism to the test on the Milan runway. He applied himself to the task by showcasing the best high-tech fabric that Italian industrial expertise can produce: interesting, barely describable materials with crinkled, washed, iridescent surfaces, and the most malleable of leathers. The designer used these to best effect when he kept things simple, tailoring shapely jackets or a plain navy double-faced cashmere topcoat over wide slouchy pants. Those pieces, along with a few nicely judged cashmere Aran knits, successfully addressed the yawning gap that has opened in the market for updated sportswear.

The collection, however, lost coherence when Menichetti got conceptual, delving into overcomplicated paneled wrap skirts and lumpy chiffon and linen dresses. He'd do well to concentrate on answering the need for beautiful basics, rather than extending himself into the further reaches of avant-garde experimentalism.


Style.com

Style File Blog

november 22, 2009

Social intelligence

Selma Blair, Woman of Simple Tastes?

05:11 PM
It was a reunion of sorts: Ginnifer Goodwin, Selma Blair, a host of fabulous Bulgari jewels,...

Dept. of culture

The Pratt Gallery’s Shades of Green

04:11 PM

Q&A

Delfina Delettrez Fendi Isn’t Afraid Of The Dark

04:11 PM

more from the style file blog ›