Ralph Lauren

NEW YORK, February 11, 2005
By Nicole Phelps
Ralph Lauren's immaculate fall show was inspired by his personal collection of vintage cars, 13 of which go on display March 6 at Boston's Museum of Fine Arts. Close-fitting black leather jackets and skirts echoed the elegant curves of a very rare Bugatti, while the train of a strapless beaded dress evoked the tapered tail of an early Mercedes.

Paying homage to speed, Lauren thankfully avoided a theme that's been all too prominent this season: volume, which he dismissed in his opening sequence of strictly tailored gray fitted vests, below-the-knee skirts, and wrap coats. A parade of great menswear looks included a standout bold glen plaid trench, tossed with nonchalant confidence over the shoulders and teamed with a charmeuse shirt and cuffed houndstooth pants. Streamlined cashmere dresses, accented with leather epaulets and elbow patches, were pure luxe, and cropped jackets in fur-trimmed cognac leather and silvery shearling were just as sexy as his sleek trenches.

After dark, Lauren continued in a thirties vein. Matte jersey met silky charmeuse on simple columns, and Art Deco beading decorated the torso and trim of a silvery gown. The gender-bender suit and goggles sported by Erin Wasson were a misstep, as were the unfortunate skull caps inspired by Tamara de Lempicka's 1925 Autoportrait. But Lauren's pleated black tulle dress is worthy of an old-style Hollywood swoon.

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