Dolce & Gabbana
MILAN, February 23, 2006
By Sarah Mower
Stefano Gabbana and Domenico Dolce are advancing into fall with Napoleonic zealliterally. At the start of their show, a tableau of hussars and Empire beauties rose into view on a revolving plinth, arranged around a ceremonial black monolith emblazoned with the Emperor's laurels. The Napoleonic codebook gave them all the historical ammunition they needed to cut a swath through current themes: the play between masculine and feminine; the baroque flourishes; the rich velvets and antique golds; the swaggering capes and high-collar shirts. Naturally, they also had carte blanche to do things with raised-waist dresses, the Empire line pioneered by Josephine herself.Military tailcoats, cut in shearling, along with tight knickers and jodhpurs with high riding boots marched out, followed by legions of coats in brown and beige, all detailed with gold buttons or leather straps and brass hardware transplanted from saddlery. These designers have always loved a baby-doll, and this season's are their most sumptuous yetlovely little puff-sleeve things in eau de nil, emerald, and vibrant red velvet or old-gold brocade. Streaks of silver paint glinted in the gathers of one; others had bands of gold-thread military embroidery circling bosoms; yet another was held up with an imperial-medal chain.
It's fair to point out that none of this is necessarily fresh territory in fashion (John Galliano, for one, has staked it out before). Yet Dolce e Gabbana applied such intense workmanship here that they engraved their own signature on the plot (note the gold crown placed above the D&G initials on bags and T-shirts).
The triumphal mood culminated in a velvet-slippered procession of court ladies straight out of The Coronation of Napoleon in Notre Dame, the 1804 painting by David that hangs in the Louvre. Tucked among the sheer, gem- and pearl-embroidered numbers, there were two extraordinary gowns with skirts made of layered feathersone painted to look like leopard spots, the other gilded with antique gold. These qualified as top trophies in the Dolce & Gabbana campaign to dominate the red carpet.
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Fall 2006 Ready-to-Wear
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3.1 Phillip Lim 6267 -
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A.F. Vandevorst ADAM Akris Alberta Ferretti Alessandro Dell'Acqua Alexander McQueen Alexandre Herchcovitch Alice Roi Andrew Gn Anna Sui Ann Demeulemeester Antonio Berardi Aquascutum Araks -
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Badgley Mischka Balenciaga Basso & Brooke BCBG Max Azria Behnaz Sarafpour Bill Blass Blumarine Bottega Veneta Boudicca Brian Reyes Brioni Burberry Prorsum -
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D&G Daryl K Derek Lam Diane von Furstenberg DKNY Dolce & Gabbana Donna Karan Doo.Ri Dries Van Noten Dsquared² -
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Elie Saab Emanuel Ungaro Emilio Pucci Emma Cook Emporio Armani Erdem Etro -
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Fendi -
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Gareth Pugh Giambattista Valli Giles Giorgio Armani Givenchy Gucci -
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Hermès -
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J. Mendel Jasmin Shokrian Jean Paul Gaultier Jenni Kayne Jill Stuart Jil Sander John Galliano Jonathan Saunders Junya Watanabe -
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Kai Kühne Karl Lagerfeld Kenneth Cole New York Kenzo -
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Lacoste Lanvin Louis Vuitton Luca Luca Luella -
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Maison Martin Margiela Malandrino Malo Marc by Marc Jacobs Marc Jacobs Marios Schwab Marni Martin Grant Matthew Williamson MaxMara Menichetti Michael Kors Missoni Miu Miu Monique Lhuillier Moschino -
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Narciso Rodriguez Nathan Jenden Naum Neil Barrett Nicolas Andreas Taralis Nina Ricci Noir -
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Oscar de la Renta -
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Paco Rabanne Paul Smith Peter Jensen Peter Som Phi Pollini Prada Preen Proenza Schouler -
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Ralph Lauren Richard Chai Love Richard Nicoll Rick Owens Roberto Cavalli Rochas Rodarte Roksanda Ilincic Ruffian -
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Salvatore Ferragamo Sari Gueron Sinha-Stanic Sonia Rykiel Sophia Kokosalaki Stella McCartney Strenesse Sweetface -
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Tao Temperley London Thakoon Threeasfour Tory Burch Trovata TSE Tuleh -
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Undercover United Bamboo -
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Valentino Vena Cava Vera Wang Veronique Branquinho Verrier Versace Viktor & Rolf Vivienne Westwood VPL -
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Wunderkind -
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Y & Kei Y-3 Yigal Azrouël Yohji Yamamoto Yves Saint Laurent -
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Zac Posen Zero + Maria Cornejo






















