Salvatore Ferragamo

MILAN, February 21, 2007
By Nicole Phelps
A sparkling black trench, a herringbone suit fitted through the waist and worn with extra-wide cuffed trousers, a swingy coat in an exaggerated check…. Graeme Black at Ferragamo, like other Milan designers, traded in last season's curvaceous dresses for a more tailored expression. The Bourse, then, made a fitting, if perhaps a bit too obvious, setting for his new sharp and masculine focus. In fact, there was an overstated quality to the show's blown-out menswear patterns. Likewise the mirrored runway that provided multiple viewing angles for the house's raison d'être: platform sandals, wedges, and knee-high boots in gleaming crocodile (as well as structured totes and large envelope clutches done in the same).

Evening, naturally, was a more feminine affair. Black played up the back view, showing a long sequin dress with a triangular cutout between the shoulder blades and a velvet column that dipped behind from a beaded strap. The shorter crystal-embroidered dress that closed the show had a swingy A-line shape, and a sweet bow that peeked out above a scoop back. But in the end, its novel charm wasn't enough to rescue this collection from its overbearing beginnings.

Style.com

Style File Blog

november 09, 2009

Social intelligence

From Rags To Riches

05:11 PM
They may have earned their New York cred—and become, in the process, Yanks fans to...

Trend tracking

Yea, Nay, Or Eh: Katy Perry At The 2009 MTV Europe Music Awards

04:11 PM

Dept. of culture

Prada Enters The Book Business

03:11 PM

more from the style file blog ›