Luisa Beccaria

MILAN, February 21, 2008
By Nicole Phelps
The show was moved this season from Luisa Beccaria's Brera district shop, with its sparkly pastel walls, to Milan's soulless Fiera—and what was gained in convenience was lost in intimacy. It's not a negligible point for a designer who built her success as much on the charm of her personal story and the gorgeous looks of her young brood as on her pretty party frocks. Location aside, this was typical Luisa Beccaria: frothy, sweeter than a candy shop, and without so much as one rough edge. Citing points of reference as divergent as Whistler and the seventies photographer Sarah Moon, she worked mostly in an opalescent palette of soft pinks, pale blues, and silvery whites, with shots of Fall's popular iridescent purples and greens. Daytime offerings included a Shetland wool shift with lacelike embroidery on the patch pockets, a crocheted dress with delicate needlework at the yoke, and a frilly bow-front blouse worn with an A-line skirt. For evening—where her heart is—Beccaria ranged from a pouf-skirted dance dress with a sweetheart neckline to ruffled tulle trapezes that overpowered her models' narrow frames.

Among the more interesting pieces were a peacock-feather-print day dress worn with a wide, striped suede belt and a floor-length net dress with a plunging V-neck and cap sleeves in allover ribbon embroidery. Subtle and sophisticated, they saved the collection from becoming too precious and doll-like.

Follow us on Twitter

Loading...

Style File Blog

february 13, 2012

Designer update

Surface To Air Rocks Out

06:02 PM
Surface to Air has a long history of working with rock star collaborators, including the likes of...

Q&A

Marina Abramović On Her Own Life—And Death

05:02 PM

more from the style file blog ›