6267

MILAN, February 19, 2008
By Sarah Mower
The sight of an A-list lineup of editors and buyers trooping into a 6267 show at 8:30 p.m. on a cold Milan night (and after Prada, too) is proof of the industry's goodwill toward any sign of young life springing up in this city. 6267's Tommaso Aquilano and Roberto Rimondi, a pair of ex-MaxMara designers, have earned a certain level of respect from the international fashion community in the past couple of years: They have a handle on the "Made in Italy" quality that cuts it in major department stores, and as the show started, hopes were high that they'd be able to put over something fresh.

Did they succeed? In part. The collection was inspired, they said, by Josef Hoffmann and the Wiener Werkstätte—a sort of black-and-white alternative to the gilded exoticism of Gustav Klimt, which has been gaining so much currency elsewhere this season. The first look—a narrow black maxi coat with a raised waist and a high, furled collar—and a couple of columnar print dresses later in the show, put Aquilano and Rimondi in sync with the emerging feeling for longer lengths. Their concentration on working neatly tailored jackets and a skinny-leg pant widening to a slight flare also proved an awareness of directional trends. Still, as a whole, the designers' use of diagonal windowpane check; a narrow, poufed shoulder line; tubular trimmings on necklines; flat bows; and silver buttons was too derivative of Nicolas Ghesquière's Balenciaga. These guys undoubtedly have talent, but, like so many other young designers, they need to articulate what they want to say in a voice of their own. Holding back from overworking their things would be one step in the right direction—as would getting out to experience the world a bit more. Milan is still a great city in which to make clothes of quality, but it's also a provincial place from which it's not always easy to grasp the bigger picture.

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