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Wunderkind

PARIS, March 10, 2010
By Nicole Phelps
It's ironic that Wolfgang Joop, who once made his living putting men and women in power suits, has become such a maximalist. For Fall, he appeared to have looked to Spain or perhaps the Argentine pampas for inspiration. The first outfit featured a striped and fringed horse blanket tossed over the shoulders, and from there Joop went on to turn those blankets into all manner of blazers and trenchcoats, with leather buckle closures and fringe lining the arm seams. But as strange as they sound, they worked; he can still cut a mean jacket. There was also a good-looking shearling aviator and cool leather perfectos cropped high underneath the armholes.

On the more feminine side of the story, the designer showed draped scarf-print dresses trimmed with fur in a manner that echoed what Galliano had done earlier in the week. Other frocks came with large, multilayered accordion-pleated ruffs at the shoulders or heavily scalloped yokes, which gave them a costume-y sensibility out of step with the season. There were some decent outerwear pieces here, but now would've been an opportune moment for Joop to have fully re-engaged with the tailoring that was once such an integral part of his oeuvre.

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