Vivienne Westwood
REVIEW
COMPLETE COLLECTION
PARIS, March 5, 2010
By Hadley Freeman
The granny-ish shoes and mid-length full skirts at the beginning were deceptive. Yes, Vivienne Westwood had turned, as is her wont, to a very particular British icon—the bluestocking young lady this time—but these librarians were more interested in tripping the light fantastic than knocking out To the Lighthouse. As the models walked past in their disheveled finery—wraps that could have been made from blankets found in an old country pile; seemingly sloppy but in fact artfully constructed sweaters and dresses slipping off the shoulder just so; smeared red lipstick with heavy black eye shadow—it felt like one had stumbled upon a massive rave in an aristocratic country house, just when the acid was hitting. A relatively sober tan trouser suit was worn with a splatter-paint top underneath, making sure the trip was that little bit more colorful. Heck, even the bluestockings' stockings weren't all blue, moving swiftly into psychedelic swirls and metallic pinks.This is natural Westwood territory. From Kings Road punks to ravished Hardy-esque milkmaids, the designer is always at her best when she fondly plays with her isle's cliques and classes and refashions them in her own distinctive style. The look for this collection was as British as a cold walk through the heath on Christmas day, full of young women partying carelessly in heritage clothes. Tatler magazine, you have the wardrobe for next season's photo shoots sorted: The debutante dresses at the end looked like they had come straight out of a Beaton portrait…by way of Glastonbury.
This was one of Westwood's stronger collections in a while, helped in no small amount by the lack of blatant sloganeering and the fact that the models' antics were kept to a minimum. There were no cringe-y skips down the runway (a frequent weakness in a Westwood show); only one model pretending to talk on her mobile phone, which actually fit the festive mood. While some of the wraps were a little too heavy and close to their tapestry inspirations, the dresses and trouser suits were sexy and messy, just like a good party should be.
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Fall 2010 Ready-to-Wear
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D&G Davidelfin Dennis Basso Derek Lam Devi Kroell Diane von Furstenberg Diesel Black Gold DKNY Dolce & Gabbana Donna Karan Doo.Ri Douglas Hannant Dries Van Noten Dsquared² Duro Olowu -
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Elie Saab Elie Tahari Elise Øverland Emanuel Ungaro Emilio Pucci Emporio Armani Erdem Erin Fetherston Erin Wasson x RVCA Etro -
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Fashion East Fendi Francesco Scognamiglio -
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Gabriele Colangelo Gap Gareth Pugh Gary Graham Generra Giambattista Valli Gianfranco Ferré Giles Giorgio Armani Givenchy Graeme Armour G-Star Gucci -
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Haider Ackermann Halston Helmut Lang Hermès Hervé Léger by Max Azria Holly Fulton House of Holland -
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Iceberg Isaac Mizrahi Isabel Marant Issa Issey Miyake -
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Karen Walker Karl Lagerfeld Kenzo Kimberly Ovitz Kinder Aggugini Koi Suwannagate -
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Naeem Khan Nanette Lepore Narciso Rodriguez Nathan Jenden Neil Barrett Nicolas Andreas Taralis Nicole Farhi Nicole Miller Nina Ricci No. 21 -
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Paris 68 Paul Smith Pedro Lourenço Peter Jensen Peter Pilotto Peter Som Philosophy Pollini Ports 1961 PPQ Prabal Gurung Prada Preen Pringle of Scotland Proenza Schouler -
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Sacai Salvatore Ferragamo Sharon Wauchob Shipley & Halmos Sonia Rykiel Sophia Kokosalaki Sophie Theallet Stærk Stella McCartney Stephen Burrows Suno Sykes -
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Valentino Vanessa Bruno Vena Cava Vera Wang Véronique Leroy Versace Versus Victoria Beckham Viktor & Rolf Vionnet Vivienne Tam Vivienne Westwood Vivienne Westwood Red Label VPL -
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Wayne William Rast Wunderkind -
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Zac Posen Zero + Maria Cornejo






















