Yves Saint Laurent
PARIS, March 8, 2010
By Sarah Mower
Stefano Pilati categorically denied there was any religious symbolism in his Fall show. Nevertheless, the sober caped black forms, wimplelike head coverings, starched white cotton, hoods, and heavy chain pendants gave a nunlike impression. Granted, it wasn't literal, but there was something of the Catholic convent in the high white dog collar on a suit, the yoked white blouse with full sleeves, the prim and modest mid-calf dresses—and the way a cardinal purple cape made an appearance at one point. Even when a sheer black dress came out, there was a cross to bare beneath it: underwear formed as a cruciform bodysuit.But that wasn't the gloss Pilati put on it at all. "It's about protection," he said after the show, explaining the plastic film he put over coats and inserted in patches in jackets. "And partly, an homage to YSL and the rigorous tailleur." As for the figures dangling on the gold chains that swung and bumped on the lower body as the models walked? He said he'd taken those from silhouettes of Saint Laurent fashion photos he'd cut out of seventies magazines.
Still, this collection was sometimes tricky to fathom. It was best in the simplest and strongest pieces: seventies-influenced shapes, like the high-waist flared trousers, capes, mid-calf skirts; the smart slash-sleeved jacket; and the jumpsuits—all ideas that look timely in the context of this season's trends.
But perhaps a more explanatory perspective would be the one taken from the Petit Palais, just opposite the YSL show venue, where a major retrospective of the work of the late Yves Saint Laurent is about to open. Thus far, Pilati has avoided creating comparisons to the master's archive, striving instead to make statements of his own about redefining the wardrobe for the twenty-first century. Oddly enough, if he relaxed more into channeling the way Saint Laurent nailed how the working woman wanted to dress in the Parisian seventies—as so many other designers are now—it might be an easier path.
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Fall 2010 Ready-to-Wear
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3.1 Phillip Lim -
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D&G Davidelfin Dennis Basso Derek Lam Devi Kroell Diane von Furstenberg Diesel Black Gold DKNY Dolce & Gabbana Donna Karan Doo.Ri Douglas Hannant Dries Van Noten Dsquared² Duro Olowu -
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Elie Saab Elie Tahari Elise Øverland Emanuel Ungaro Emilio Pucci Emporio Armani Erdem Erin Fetherston Erin Wasson x RVCA Etro -
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Fashion East Fendi Francesco Scognamiglio -
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Gabriele Colangelo Gap Gareth Pugh Gary Graham Generra Giambattista Valli Gianfranco Ferré Giles Giorgio Armani Givenchy Graeme Armour G-Star Gucci -
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Haider Ackermann Halston Helmut Lang Hermès Hervé Léger by Max Azria Holly Fulton House of Holland -
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Iceberg Isaac Mizrahi Isabel Marant Issa Issey Miyake -
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Karen Walker Karl Lagerfeld Kenzo Kimberly Ovitz Kinder Aggugini Koi Suwannagate -
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L.A.M.B. L'Wren Scott Lacoste Lanvin Lela Rose Limi Feu Loewe Louise Goldin Louise Gray Louis Vuitton Luca Luca Luisa Beccaria Lutz & Patmos Lyn Devon -
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Naeem Khan Nanette Lepore Narciso Rodriguez Nathan Jenden Neil Barrett Nicolas Andreas Taralis Nicole Farhi Nicole Miller Nina Ricci No. 21 -
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Ohne Titel Organic by John Patrick Oscar de la Renta Osman -
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Paris 68 Paul Smith Pedro Lourenço Peter Jensen Peter Pilotto Peter Som Philosophy Pollini Ports 1961 PPQ Prabal Gurung Prada Preen Pringle of Scotland Proenza Schouler -
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Sacai Salvatore Ferragamo Sharon Wauchob Shipley & Halmos Sonia Rykiel Sophia Kokosalaki Sophie Theallet Stærk Stella McCartney Stephen Burrows Suno Sykes -
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Valentino Vanessa Bruno Vena Cava Vera Wang Véronique Leroy Versace Versus Victoria Beckham Viktor & Rolf Vionnet Vivienne Tam Vivienne Westwood Vivienne Westwood Red Label VPL -
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Wayne William Rast Wunderkind -
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Zac Posen Zero + Maria Cornejo






















