Lanvin
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PARIS, March 4, 2011
By Tim Blanks
The backdrop to the Lanvin show was a weeping willow. "Everyone needs a tree," said an unusually low-key, flu-touched Alber Elbaz. "Branches, roots. We're getting right back to the roots of tradition." There were some of his own roots in the collection's echoes of his master, Geoffrey Beene. The New York couturier had always warned his protégé about the dangers of gazar. "So difficult," Elbaz sighed as he talked about the endless problems involved in working with one of fashion's most mystique-laden fabrics. That difficulty was captured in pieces that were sheer but somewhat stiff—alluringly so.Their austerity spilled over into the rest of the collection, at least as it initially presented itself. Elbaz went atypically dark. Maybe it was that southern gothic tree, maybe the wide-brimmed preacher-proper headgear with its irresistible echoes of The Night of the Hunter, or the brilliantly mixed soundtrack by Ariel Wizman that plunged into moments of sonic darkness. Elbaz at first opted for plain, grounded, coated and caped looks, with pilgrim shoes and church-lady handbags as perfectly appropriate accessories. Metal trims were a suitably austere detail. But the severity begged for release. And the designer teased, first with metallic jewelry, then with textures, severe but sensual drapes, black lace, knit sheaths disordered by poufs of mousseline, and roses. It was positively Freudian the way Elbaz built desire into his clothes, especially with the simplest nip and tuck of fabric. Or zippers, like the one running down the back of a python tunic.
When release finally arrived, it was in the form of ten or so densely toned, couture-inflected confections. They gathered like strange, exotic fruit under the willow at show's end. Elbaz always insists on the reality of his clothes, but a burst of Twin Peaks on the soundtrack of this intriguing show might have been telling us that reality is whatever you make it. Like, for instance, the creative arc that runs from preacher man to party girl.
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Fall 2011 Ready-to-Wear
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Edun Elie Saab Elie Tahari Elise Øverland Emanuel Ungaro Emilio de la Morena Emilio Pucci Emporio Armani Erdem Erin Fetherston Etro -
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Farah Angsana Fashion East Felder Felder Felipe Oliveira Baptista Fendi Francesco Scognamiglio Frank Tell -
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Gabriele Colangelo Gap Gareth Pugh Gary Graham Giambattista Valli Gianfranco Ferré Giles Giorgio Armani Givenchy Graeme Armour Gregory Parkinson G-Star Gucci -
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Haider Ackermann Hakaan Halston Helmut Lang Hermès Hervé Léger by Max Azria Holly Fulton House of Holland -
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Iceberg Imitation of Christ Isaac Mizrahi Isabel Marant Issa Issey Miyake -
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Karen Walker Kelly Wearstler Kenzo Kevork Kiledjian Kimberly Ovitz Kinder Aggugini -
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L.A.M.B. L'Wren Scott Lanvin Lela Rose Libertine Limi Feu Loewe Louise Gray Louis Vuitton Luca Luca Luisa Beccaria Lyn Devon -
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Naeem Khan NAHM Nanette Lepore Narciso Rodriguez Neil Barrett Nicholas K Nicolas Andreas Taralis Nicole Farhi Nicole Miller Nina Ricci No. 21 Norma Kamali -
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Ohne Titel Organic by John Patrick Oscar de la Renta Osman -
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Paul & Joe Paul Smith Pedro Lourenço Peter Jensen Peter Pilotto Peter Som Philosophy Piazza Sempione Ports 1961 PPQ Prabal Gurung Prada Preen Pringle of Scotland Proenza Schouler -
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Sacai Sachin + Babi Salvatore Ferragamo Sass & Bide Sharon Wauchob Sonia Rykiel Sophie Theallet Sportmax St. John Stella McCartney Stephen Burrows Steven Alan Suno -
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Undercover United Bamboo -
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Valentino Vanessa Bruno Vena Cava Vera Wang Véronique Leroy Versace Versus Victoria Beckham Viktor & Rolf Vionnet Vivienne Tam Vivienne Westwood Vivienne Westwood Red Label VPL -
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Wayne Wes Gordon Willow -
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Zac Posen Zero + Maria Cornejo Z Spoke by Zac Posen







