February 14, 2011 New York
Malick's film is a fashion favorite, but the Mulleavy sisters made the reference their own via their signature devotion to craft. The quilting on the pinafore tops and apron skirts was appliquéd by hand, and the wool and mohair sweaters likewise never saw the inside of a knitting machine. The question is this: Will these clothes, with their countrified starting points, entrance the label's clientele of urban sophisticates the way previous collections have? Dr. Lisa Airan, after all, walked into the 12 p.m. show in a sheer ivory Rodarte cocktail dress studded with gold crystals. The answer? Yes, with the exception perhaps of the sentimental floral embroideries. For one, the show's longer silhouettes jibed with the current fashion zeitgeist. And for another, the Mulleavys continue to push into categories that they've ignored before. It's hard to recall a single coat from their last several Fall collections; here there were plenty to choose from—and thanks to technically accomplished cutouts at the sides of the torso, they looked quite unique.
Commercial is the wrong word for it, but there's no debating the fact that Kate and Laura are steadily getting savvier about the business end while maintaining their singular vision.