Alberta Ferretti

MILAN, October 1, 2002
By Sarah Mower
Snip! Snip! Snip! Scissors have been working overtime in Milan this season, and miles of redundant skirt fabric have hit the cutting-room floor. Even the perpetual romantic Alberta Ferretti caught the fever for shortening everything up to here.

She started with little shift dresses that had a distinct ’60s flavor, in colors like olive, buff, pale blue and silver, some woven through with strips of chiffon made to look like raffia. She then showed a group of tiny chiffon, ruched and puckered formfitting pieces, which were part ’50s swimsuit, part dress. Some of them came with minute flips of frill at the hem or with a matching pair of micro shorts—great clubwear for the cellulite-free under-25s. Ferretti thought of her more mature bohemian customers as well, though, sending out sheer embroidered skirts to wear over the body dresses for a modicum of modesty.

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