In a season when crisp shirts and V-neck sweaters are news again, Smith is in his element, having fun with stripes and ties, and turning school uniform-style fine-gauge knits into skimpy dresses. Cut close to the body, his suits, with their bracelet-length sleeves and their skirts caught up in a ruched detail in the back, are just naughty enough to avoid any teacher’s-pet primness. The designer also worked his blue-and-white shirting stripes into little camisole-top cotton dresses, and made printed silk scarvesthat other bastion of ladylike dressinginto bright camisoles and strappy shifts. It added up to a happy, easy-to-shop collection that worked best when Sir Paul seemed to be designing off the cuff.
Spring 2004 Ready-to-Wear
September 21, 2003 London
There’s still a boyish quality to Paul Smith, even though he’s a "Sir" nownot to mention the most financially successful Brit designer ever, and something of a national treasure to boot. Smith’s ability to play games with old English classicsdeflating pomposity with color and wit, while never looking like he’s trying too hardis what’s made him a worldwide hit in menswear, and guess what? That’s exactly how it works best for girls, too.
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