Basso & Brooke

LONDON, September 19, 2006
By Sarah Mower
There comes a time when all outrageous young London designers must stop poking their tongues out at convention and start thinking about how to do more than give their 25 closest fans a great laugh. Unexpectedly—for they were the guys who rose to notoriety on their flying-penis prints two years ago—Basso & Brooke have had the good sense to know when to move on (and just in time, since others have already arrived to occupy the city's naughty slot). The collection they showed today left hardness and vulgarity behind, and took off in a direction that looked approachably commercial for the first time.

For spring, they dropped their overwrought obsession with the eighties and went toward the stylistically safer twenties instead. They used the template of drop-waist, handkerchief-point flapper dresses as a frame for their prints, which were inspired by exotic travel. There were elephants, bamboo, birds, flowers, and moths—with nothing untoward lurking in the jungle, at least that could be seen from a distance. In fact, as the show went on, the realization began to flicker that Basso & Brooke might even be capable of delicacy. Gold-dabbed and silver-shot fabrics, combined with underlying prints, had a butterfly-wing effect that in places looked quite lovely.

Style.com

Style File Blog

november 20, 2009

Social intelligence

Selma Blair, Woman of Simple Tastes?

05:11 PM
It was a reunion of sorts: Ginnifer Goodwin, Selma Blair, a host of fabulous Bulgari jewels,...

Dept. of culture

The Pratt Gallery’s Shades of Green

04:11 PM

Q&A

Delfina Delettrez Fendi Isn’t Afraid Of The Dark

04:11 PM

more from the style file blog ›