Chloé
PARIS, October 4, 2008
By Sarah Mower
How does it feel to be finally in charge at Chloé? "Oh, it's heaven!" exclaimed a tired but exhilarated Hannah MacGibbon, the 38-year-old blond British designer who assisted Phoebe Philo from 1997 through the label's red-hot early-noughties days. Her task is to heat it back up again after several tepid seasons and reconnect with that customer who would once spare no expense to get hold of Chloé's signature sexy-girly things, trophy bags, and shoes.MacGibbon's scallop-edge coats, rounded-shoulder blouses, and high-waisted flared shorts, interspersed with ruffle-necklined dresses and jumpsuits with an eighties kind of gathered swell in the thigh region, certainly had an air of summery freshness about them. Her contrasts of chartreuse, beige, cream, bluebell, green, and a particular apricot (the exact shade that appears on Chloé packaging) were rinsed of any print and shorn of the embroidery that is a usual feature of the brand.
So was there evidence here that MacGibbon holds a key to the It-ness, the spontaneous, non-intellectual-girl knack that is central to Chloé? In this first outing, some signs were promising—one of the least weird jumpsuits on any runway (a dark green silk halter); a few great pairs of pants. The shoes, ankle-strapped flats and spindly high heels in mixed leather and shiny plastic (no platforms, hooray!), were the best pacesetters since the Chloé clog stomped out the door. And the color-blocked bags with gilt frames and chains had editors scribbling ticks and stars in their notebooks.
In this first collection, MacGibbon said she's aiming to "cleanse the palate" and de-complicate fashion for young women. That's going to take a while to evolve, and the designer must be given time to realign the brand identity amid our new set of economics, something Philo and she never had to worry about when they arrived at the house as twentysomethings. A bigger question is whether the company will see fit to steer Chloé back toward its origins as a prêt-à-porter label for seekers of fashion at accessible prices. At a time when "no expense spared" is fast becoming an anachronism, that would be smart.
/
/
/
see all designers ›

Spring 2009 Ready-to-Wear
#
|
A
|
B
|
C
|
D
|
E
|
F
|
G
|
H
|
I
|
J
|
K
|
L
|
M
|
N
|
O
|
P
|
R
|
S
|
T
|
U
|
V
|
W
|
Y
|
Z
|
-
#
3.1 Phillip Lim -
A
-
B
-
C
-
D
-
E
Eley Kishimoto Elie Saab Elie Tahari Elise Øverland Emanuel Ungaro Emilio Pucci Emporio Armani Erdem Erin Fetherston Etro -
F
Fashion Fringe Fendi Francesco Scognamiglio -
G
Gap Gareth Pugh Giambattista Valli Gianfranco Ferré Giles Giorgio Armani Givenchy Graeme Black G-Star Gucci -
H
Haider Ackermann Halston Hanii Y Helmut Lang Hermès Hervé Léger by Max Azria House of Holland Hussein Chalayan -
I
Iceberg Isaac Mizrahi Issa -
J
-
K
Kai Kühne Karen Walker Karl Lagerfeld Koi Suwannagate Kris Van Assche -
L
L'Wren Scott Lacoste Lanvin La Perla Lela Rose Limi Feu Loewe Louise Goldin Louis Vuitton Luca Luca Luella Luisa Beccaria Lutz & Patmos -
M
-
N
Naeem Khan Nanette Lepore Narciso Rodriguez Nathan Jenden Nicole Miller Nina Ricci -
O
Ohne Titel Organic by John Patrick Oscar de la Renta Ossie Clark -
P
Paul Smith Women Peter Jensen Peter Pilotto Peter Som Phi Philosophy Pollini Ports 1961 Prada Preen Pringle of Scotland Proenza Schouler -
R
-
S
Sabyasachi Salvatore Ferragamo Sari Gueron Shipley & Halmos Sinha-Stanic Sonia Rykiel Sophia Kokosalaki Sophie Theallet Stærk Stella McCartney Stephen Burrows Sue Stemp -
T
Tao Temperley London Thakoon Threeasfour Tibi Todd Lynn Tommy Hilfiger Topshop Unique Tory Burch Tracy Reese Trovata TSE Tuleh -
U
Undercover United Bamboo -
V
Valentino Vena Cava Vera Wang Vera Wang Lavender Label Veronique Branquinho Versace Victoria Beckham Viktor & Rolf Vivienne Tam Vivienne Westwood Vivienne Westwood Red Label VPL -
W
William Rast Wunderkind -
Y
Y-3 Yigal Azrouël Yohji Yamamoto Yves Saint Laurent -
Z
Zac Posen Zero + Maria Cornejo

















