Maison Martin Margiela
REVIEW
COMPLETE COLLECTION
PARIS, September 29, 2008
By Sarah Mower
The house was packed for Martin Margiela's 20th-anniversary collection, an occasion whose significance was sharpened by the swirling rumors—causing fear among the many Margiela wearers in the hall—that he is about to retire. (To get that one out of the way up front, a spokeswoman categorically denied that fashion's mystery man is going anywhere just at the moment.) What unfolded, in inimitable house style, was less a sentimental catalog of past hits than a reminder of the continuing relevance of Margiela's sidelong contributions to stimulating fashion over two decades and 40 collections.First, there is the remarkable case of the narrow, slightly puffed Edwardian-shouldered jacket that dates from his first Spring collection, designed in 1988, which is still completely wearable now (it's being rereleased). And at the other end of the time line, there are the pointed shoulder pads of the 2006 bodysuits and jackets, with which Margiela triggered the beginning of a widespread silhouette change that is working its way through fashion now. The twist was that although the show was a revisiting of past collections, there were also slyly brilliant updates that put it right in the forefront of this summer's thinking. Circular-cut leather? Margiela first thought of that in 2005, and now the same geometries are blowing up all over the runways. Wigs, too—a favorite of the house since Fall 1995—have now spilled all over jackets in cuts that look like a Margiela comment on the current fad for fringing.
Almost each and every look had that then/now familiarity and surprise about it, and all of it was carried off without compromise on "incognito" models with their faces blanked out by stocking scarves and cascades of hair. At the end, though, the conceptual rigor gave way to pure silly high spirits as a perambulating birthday cake walked by, followed by a marching band and a horde of Margiela's lab-coated assistants. As usual, he wasn't among them, but he was apparently there watching behind the scenes. It's to be hoped Margiela was savoring the roar of approval that went up from the crowd.
/
/
/
see all designers ›
Spring 2009 Ready-to-Wear
#
|
A
|
B
|
C
|
D
|
E
|
F
|
G
|
H
|
I
|
J
|
K
|
L
|
M
|
N
|
O
|
P
|
R
|
S
|
T
|
U
|
V
|
W
|
Y
|
Z
|
-
#
3.1 Phillip Lim -
A
-
B
-
C
-
D
-
E
Eley Kishimoto Elie Saab Elie Tahari Elise Øverland Emanuel Ungaro Emilio Pucci Emporio Armani Erdem Erin Fetherston Etro -
F
Fashion Fringe Fendi Francesco Scognamiglio -
G
Gap Gareth Pugh Giambattista Valli Gianfranco Ferré Giles Giorgio Armani Givenchy Graeme Black G-Star Gucci -
H
Haider Ackermann Halston Hanii Y Helmut Lang Hermès Hervé Léger by Max Azria House of Holland Hussein Chalayan -
I
Iceberg Isaac Mizrahi Issa -
J
-
K
Kai Kühne Karen Walker Karl Lagerfeld Koi Suwannagate Kris Van Assche -
L
L'Wren Scott Lacoste Lanvin La Perla Lela Rose Limi Feu Loewe Louise Goldin Louis Vuitton Luca Luca Luella Luisa Beccaria Lutz & Patmos -
M
-
N
Naeem Khan Nanette Lepore Narciso Rodriguez Nathan Jenden Nicole Miller Nina Ricci -
O
Ohne Titel Organic by John Patrick Oscar de la Renta Ossie Clark -
P
Paul Smith Women Peter Jensen Peter Pilotto Peter Som Phi Philosophy Pollini Ports 1961 Prada Preen Pringle of Scotland Proenza Schouler -
R
-
S
Sabyasachi Salvatore Ferragamo Sari Gueron Shipley & Halmos Sinha-Stanic Sonia Rykiel Sophia Kokosalaki Sophie Theallet Stærk Stella McCartney Stephen Burrows Sue Stemp -
T
Tao Temperley London Thakoon Threeasfour Tibi Todd Lynn Tommy Hilfiger Topshop Unique Tory Burch Tracy Reese Trovata TSE Tuleh -
U
Undercover United Bamboo -
V
Valentino Vena Cava Vera Wang Vera Wang Lavender Label Veronique Branquinho Versace Victoria Beckham Viktor & Rolf Vivienne Tam Vivienne Westwood Vivienne Westwood Red Label VPL -
W
William Rast Wunderkind -
Y
Y-3 Yigal Azrouël Yohji Yamamoto Yves Saint Laurent -
Z
Zac Posen Zero + Maria Cornejo
ERROR:
