September 11, 2009 New York
Sensing it was time for a break with the 1980's, which have been so popular lately among young designers, he went in a more 1970's direction. Patchwork and "taking clothes apart" were his fixations for Spring, he said backstage. But we're not talking about any old hippie-dippy patchworks. Altuzarra mixed expensive white eyelet and Swiss dot with brown suede and swatches of basket weave into fitted apron dresses that didn't leave a lot to the imagination. He worked the same materials into jackets, vests, and pants that were more covered up but no less sexy.
Altuzarra designed at Givenchy under Riccardo Tisci, who's about as hot as it gets in the fashion world right now. There are clearly similarities in the hyperfeminine sensibility of both designers' clothes. But Altuzarra is no copy artist. What's such a turn-on about him is his confidence. A pair of white ponchos, one hip length, the other long, with diamond stenciling at the hems, were pretty sensational—as gutsy and cool as the Heart song playing on the soundtrack. We're betting they made the It girls in the audience suddenly rethink all of the body-con clothes currently hanging in their closets.