Junya Watanabe
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REVIEW
COMPLETE COLLECTION
PARIS, June 24, 2011
By Tim Blanks
The invitation showed a sweep of grassy farmland extending to the clear blue horizon. It summoned us to the garden of a school for the deaf in a southern part of Paris, not a grand ornamental garden, mind, but a rather more humble plot of vegetables and flowers. Then, to the tune of George Harrison's "My Sweet Lord," models began crisscrossing the grass, dressed in bib-front overalls, patched cotton work shirts, and wellies. With their flowing hair and the occasional beard, they looked like Harrison himself on the cover of All Things Must Pass, his first solo album after The Beatles breakup. He was in his gentleman farmer phase then, and, for a while today, it looked like Junya was also getting himself back to the garden. There'd been a last-minute switch from the school terrace to the greensward, with its thick, glossy hedge. It made a more fitting backdrop for his natural men in their worn farm clothes. But once Junya began dropping in technical outerwear, the collection became less about the farm and more about his outsider's fascination with American utilitywear.The waxed-cotton storm jacket, the red mac (in pleather, not oilcloth), and the plaid lined parka had the element of primary-colored surprise that captivates Junya's cult time after time. So did the tech jackets in orange, khaki, and sky blue that topped chambray overalls. He's a great colorist: His tricolor desert boots with Tricker's will stand out next spring.
Junya's presentations always defy the conventional fashion show momentum, which dictates a build to some kind of dressy climax. But for once, this show actually got darker and dressier as it drew to a close. There were still the overalls, but now they were black—and paired with white shirts. There was also a brass-buttoned blazer as polished as bespoke, bar the fact it was patchworked from denim. Though Junya will never give an inch when he's queried about his motivations backstage, you can imagine that that is the kind of garment that most tickles his fancy.
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Spring 2012 Menswear
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3.1 Phillip Lim -
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Acne Adam Kimmel Agnès B. Alexander McQueen Alexander Wang Alexandre Plokhov Alexis Mabille Ami Ann Demeulemeester Antonio Azzuolo -
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Balenciaga Bally Balmain Band of Outsiders Bespoken Billy Reid Bottega Veneta Buckler Burberry Prorsum -
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Calvin Klein Collection Canali Carven Christophe Lemaire Christopher Kane Comme des Garçons Costume National Custo Barcelona -
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D&G Damir Doma Diesel Black Gold Dior Homme DKNY Dolce & Gabbana Dries Van Noten Dsquared² Duckie Brown -
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E. Tautz Elie Tahari Emporio Armani Ermenegildo Zegna Etro -
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Gant by Michael Bastian Giorgio Armani Givenchy Gucci -
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Henrik Vibskov Hermès -
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Iceberg Issey Miyake -
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J.Crew J.W. Anderson James Long Jean Paul Gaultier Jeremy Scott Jil Sander John Galliano John Richmond John Varvatos Jonathan Saunders Junya Watanabe -
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Kenzo Kris Van Assche -
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Lacoste Lanvin Libertine Loden Dager Louis Vuitton -
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Maison Martin Margiela Marc Jacobs Marni Michael Bastian Michael Kors Miharayasuhiro Missoni Moncler Gamme Bleu Moschino Mugler -
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Patrik Ervell Paul Smith Perry Ellis Piombo Ports 1961 Prada Pringle of Scotland -
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Raf Simons Rag & Bone Richard Chai Love Rick Owens Robert Geller Roberto Cavalli Rogan Roland Mouret Mr. -
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Salvatore Ferragamo Shipley & Halmos Simon Spurr Steven Alan -
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Thom Browne Tim Hamilton Timo Weiland Tommy Hilfiger Trussardi -
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Umit Benan -
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Valentino Versace Viktor & Rolf Vivienne Westwood -
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Walter Van Beirendonck Woolrich Woolen Mills -
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Yigal Azrouël Yohji Yamamoto Yves Saint Laurent -
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Zero + Maria Cornejo Z Zegna







