Let’s Get Musical: Milan’s Show Tunes
This season’s runway tracks were a schizophrenic medley, veering from hardcore rap and opera to techno and old-school country—occasionally, all in a single show. Here, a selection of Milan’s music to watch clothes by.
Breakout Track: Brenda Lee’s All Alone Am I
The Final Note: Lee’s plaintive and sweet fifties-era croonings were mixed up with rap and classical tunes. Well, you wouldn’t expect a single musical message from Prada, would you?
Breakout Track: Puccini’s Oh Mio Babbino Caro from the 1918 opera Gianni Schicchi
The Final Note:Uplifting and emotional Italian drama that could move you to tears. A moving way to take in the romantic, gauzy parade.
Breakout Track: Jerry Garcia’s Love Scene Improvisations from Zabriskie Point
The Final Note: Garcia’s twangy, free-form guitar came from the NSFW scene from the 1970′s Antonioni film, shown on screens during the runway proceedings. The result? An aptly arty, earthy, and cultish backdrop to Raf Simons’ rough-hewn intellectualism.
Breakout Track: Pianist Maxence Cyrin’s version of Don’t You Want Me?
The Final Note: Eighties pop merged with classical piano. A high-low mix that’s so appropriate for modern wares made with old-school artisanship.
Dolce & Gabbana
Breakout Track: Grace Jones’ remake of Rita Hayworth classic Amado Mio
The Final Note: Neo-Latin romance with an avant-garde edge. Right on point, boys.
Breakout Track:The Gossip’s Heavy Cross
The Final Note: A energetic yet tough pop hit from the band’s latest album. In other words, a soundtrack made for the Gucci girl’s direct, turbo-charged look.