No Use Crying Over Spilt Vodka
Bottle service, deafening dance music, and an eager chorus of people clamoring to get in—just another Friday night at Avenue, except for the shared genes. Charlotte Ronson was throwing the after-party for her Bryant Park show, and, as usual, the family—less brother Mark, who’d flown back to London earlier that day for an album release—was there to celebrate. That’s not to say it was a Ronson-only crowd. The bash (sister Sam on the turntables) drew Zoe Kravitz, Cory Kennedy, and the ubiquitous Jared Leto (pictured, with Ronson), as well as a glut of Ronson’s fans, friends, and staff. Why not a calmer affair? “There’s too many people that work too hard—you can’t contain them,” Ronson said from her banquette, adding that after a runway event where “all those little things have to fall into place,” it’s nice to be able to get a little sloppy. “You can spill a lot of vodka and be like, oh, I meant to do that.”
And a few blocks downtown at Provocateur, Rag & Bone was celebrating its after-party, though the spills David Neville was thinking of were tears, not vodka. “We were crying backstage,” he said of the reaction among his staff when the last womenswear look went out at their show earlier that day. “It’s been such an intense season for us—we really put ourselves on the line, creatively, and coming to the end of that process, it was a little overwhelming.” And, his co-designer, Marcus Wainwright, hastened to add, the duo’s new stylist, Vanessa Reid, “kicked our ass”—in the best possible way. The bash was a celebration of many months of work, no less on the collection than on the soundtrack. “Five months,” Wainwright said, explaining that it takes that long for him and Radiohead frontman Thom Yorke to settle on the tracks for the shows, which Yorke then mixes and sends off. “A lot of bass this season. At the men’s show, we blew out a speaker.” One way, among many, that Rag & Bone has been blowing everyone away.
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