Pamela Love’s bold designs have always jibed with an individualistic, downtown kind of aesthetic, so it was on an intriguing note that she looked to factories as a starting point. “I was plowing through books on the Industrial Revolution—I must have read about six or seven of them,” the designer said. “I thought there was an interesting irony, comparing factories to how I actually produce my jewelry, which is in limited runs.” You could see the industrial weightiness in her sturdy arm and neck cuffs, but otherwise the inspiration wasn’t taken so literally. Pieces were accented with turquoise, jasper, and malachite, and there was a warmth to the metals, courtesy of an antiquing process with the silver. The entire effect was slightly tribal and that was helped along by the show’s styling.
More noteworthy were the geometric shapes, which, in a couple standout necklaces, tumbled together to form a sort of deconstructed Rubik’s Cube. The designs felt modern but also had retro flavor. “I also looked to the Art Deco and Bauhaus eras for visual references,” Love explained. Whatever the era, the pieces had versatility. They had the wow factor to hold their own at a black-tie gala, yet weren’t too precious to wear over a simple white T-shirt.