In Paris, Cartier Shows Off Its Dazzling History
The exhibition Cartier: Le Style et l’Histoire opens tomorrow in the freshly restored Salon d’Honneur at the Grand Palais in Paris, and to say it’s dazzling would be a gross understatement. Overwhelming is the only fit description for the show’s richness and scope.
Upon entering this low-lit exhibit, the diamonds on which the jeweler built its reputation hit you between the eyes. Slowly spinning on a column is a remarkable display of tiaras worn by such royalty as Princess Marie Bonaparte and American high-society figures including Mary Scott Townsend, whose headpiece prompted one onlooker to comment, “But she wasn’t even royalty!”
Yet however regal Cartier’s origins, the purpose of this 600-piece exhibition is to show its evolution from “jeweler to the kings” to inventor of modern, radical style. Two early twentieth-century examples: the bold graphics of diamonds paired with onyx, and daring to show color combinations that were previously considered in poor taste (think sapphires and emeralds). The idea of shaking up the fine jewelry palette started when Cartier developed close ties with fashion, notably with the original haute couturier, Charles Frederick Worth. It further gathered momentum many years later, when Coco Chanel began mixing Cartier’s wares with semiprecious stones. A Deco evening dress by Jérôme, on loan from the Palais Galliera, adds further texture to an impressive array of everyday objects small and large, from cigarette cases and lighters to opera glasses, handbags, and clocks.
Two cornerstone gems are the 478-carat Sri Lankan sapphire, one of the largest in the world, which once belonged to Queen Marie of Romania, and the Berenice, a carved emerald of Mongol origin, which was mounted into a necklace for the International Exhibition of 1925.
And then there were Cartier’s clients, A-listers all. A rogues’ gallery of Café Society figures, loyal customers, and style-makers begins with major collector Daisy Fellowes, whose favorite tutti-frutti Hindu necklace was renegade in its day, and includes Marjorie Merriweather Post, Gloria Swanson, Elizabeth Taylor, and the original panther client, Wallis Simpson, Duchess of Windsor, as well as Barbara Hutton (who preferred tigers). Special displays pay tribute to Maria Félix, who is said to have brought live baby crocodiles into the Cartier shop to illustrate her commission. The jeweled result is on display.
Also shown are more familiar pieces, such as the Halo tiara, which the Duchess of Cambridge wore on her wedding day in 2011. The crown was originally commissioned in 1936 by the Duke of York, the future King George IV of England. So opulent is Cartier’s display that, by the time you catch Grace Kelly’s practically perfect 10.47-carat diamond engagement ring, it seems like the most demure piece in the world.