5 posts tagged "Albert Kriemler"
The Met’s Punk: Chaos to Couture curator, Andrew Bolton, reportedly professed that pink is the color of punk. But, judging by the Resort collections, such associations are all but gone. Designers are swapping angst for allure, offering a noticeably softer take on all things coral and flush. Michael Kors, for example, afforded a bubblegum-colored jumper, replete with a mega-size turtleneck and lots of cozy fuzz (above, center). Max Mara showed a slouchy hooded overcoat in rosebud (above, left), and Giorgio Armani channeled a candy striper with a neat, structured blazer in magenta and golden stripes.
Moving beyond outerwear, Oscar de la Renta paired a cropped jacket in a cotton-candy shade with a matching top and electric-roseate skirt (above, right), and at Akris, Albert Kriemler invoked the arresting palette of Luis Barragán’s Cuadra San Cristobal estate on the outskirts of Mexico City—the result was a collection boasting shades of the manor’s pink stucco and serene fuchsia sunsets.
Alicia Keys kicked off her international Set the World on Fire tour on March 7. And according to her stylist, Laura Jones, her performances are all about the singing, rather than fancy costumes (unlike some pop stars). “Alicia doesn’t like to do a lot of costume changes. We’re not trying to build up some big embellished look [and] we didn’t want her to be hidden by the clothes,” says Jones, who’s been dressing Keys for a year. (They met while Jones was assisting Edward Enninful at W magazine.) But just because Keys is all about the notes doesn’t mean she neglects her onstage aesthetic. For the tour, Jones tells us that they went for strong, sexy, and sophisticated. “Alicia really, really loves clothes and she’s really hands on. She’s hit a place in her life where she’s feeling really confident. We wanted her wardrobe to reflect that,” explains Jones. In order to achieve Keys’ bold but pared-down look, Jones enlisted the help of Michael Kors (who designed the shimmering blue gown Keys wears at the end of her set, as well as the red stunner she donned while singing at the Inauguration last January) and Akris’ Albert Kriemler, who created a host of custom wares.
“The focus was on details, fit, and flattering cuts,” says Jones, noting that Kriemler worked closely with her and Keys for months (in fact, before he met the star, Jones sent him YouTube videos of Keys performing so he could get a sense of how she moves on stage). “It’s all about understanding how she’s going to perform and knowing what fabrics are camera friendly and body friendly,” she adds. (Apparently, jersey is a safe bet for all of the above.) “My job is to make sure the clothes never get in the way of her performance. They should maximize her movements, maximize how she feels, and be a great marriage of functionality, sophistication, and longevity. She’s touring for the rest of the year, so she needs to wear something that won’t feel stale in a couple of months,” offers Jones, explaining that the designers made Alicia around seven different outfits so that she can change up her visage from one performance to the next.
As for the end result, it seems Keys’ team nailed it—last night, the singer gave an animated performance at L.A.’s Staples Center in an Akris V-neck paillette bodysuit and a black Maison Michel hat. So how does the singer feel about her Set the World on Fire wardrobe? “The tour is about a journey to freedom and personal strength,” Keys told Style.com. “I wanted to embody that energy and spirit. The Akris looks that Albert Kriemler designed for me are the perfect balance of striking, strong, glamorous, and chic. I feel empowered on stage wearing them.” Jones was pretty happy about it, too. “When you see it on stage, and everyone is screaming, and she looks so divine, you know you’ve done a good job. And that feels great.”
Is Karl campaigning for mayor of Saint-Tropez? Following Chanel’s Resort show there last month, the label has now opened a temporary store on site, too. Louis Vuitton, not to be outdone, has opened a new, larger store on the Riviera, too. [WWD]
Bergdorf held its first “virtual” trunk show this week, with W‘s Alex White and BG fashion director Linda Fargo chatting with Akris’ Albert Kriemler via Skype. “OMG” seems the only rational response. [WSJ]
The New York Times investigates Milan menswear’s preoccupation with the gigolo. Rent boys, big in ’11? (And because we need no better excuse, here’s the original—Gere in American Gigolo—left.) [NYT]
Tommy Hilfiger, the newly appointed world leader of the nonprofit Millennium Promise, will address 1,000 chief officers at the U.N. tomorrow to discuss initiatives to end world hunger. [WWD]
And Refinery29 offers a peek at the Fall ’10 range from accessory designer and newly minted CFDA award winner Alexis Bittar. What to expect: geometric designs, gunmetal grays, and antlers. Price on request for that antler piece, which presumably doesn’t include the cost of any sweaters it may snag and ruin. [R29]
Bras, corsets, tap pants, and briefs were exposed all over the Spring runways, with unexpected designers like Akris‘ Albert Kriemler joining lingerie lovers such as Jean Paul Gaultier and John Galliano at the panty party. No doubt about it, innerwear as outerwear is one of the season’s top trends. But does the look work off the catwalk? Can you really show up to a meeting dressed as Madonna in her Like a Virgin phrase? We asked the experts.
“Naturally, I’m not hoping to see a lot of inappropriate bare skin and literal lingerie showing in the workplace,” says Bergdorf Goodman’s Linda Fargo. “I’m foreseeing a spike in lace-edge slips emerging from hemlines and sheer, pretty hosiery again.” However, if you are thinking literal, “the best way to wear lingerie is to take it out of context,” explains Fabiola Beracasa, who’s been known to rock a black corset over a white tee. “And make sure it’s delicate and expensive-looking, not trashy,” says stylist Kate Young. Her Spring pick? Stella McCartney‘s plunge-front nude lace halter. A couple of hard and fast rules: Exposed elastic bra straps are a no-no, only silk will do (Jean Yu); and if you do experiment with transparency, don’t leave home without a jacket (Kelly Cutrone). And, finally, this from a master of the seductive arts, Domenico Dolce: “Don’t be too audacious. Save something for the imagination.”
Click for a slideshow, then share your thoughts on the etiquette of exposed lingerie below.