2 posts tagged "Alexandre de Betak"
Yesterday, Dior staged its second show in Moscow—the first having been held in 1959. Russian designer (and street-style maven) Vika Gazinskaya was there to experience the event firsthand. Here, she reports back from the Red Square and gives us the inside scoop on the opulent evening.
When Christian Dior came to Russia in 1959 to show his collection at Moscow’s GUM department store, the reaction was as if space aliens had landed. Russian women were still recovering from the horrors of World War II. Many of them had lost their husbands and sons, so scraping together money to buy high heels wasn’t exactly a priority.
Thankfully, those times are behind us. Moscow is quickly becoming a fashion capital, and yesterday, Dior returned to the city to restage its Fall ’13 show at the city’s most historic landmark, the Red Square. It was a celebration of beauty set inside a mirrored pavilion specially built for the occasion, not to mention the first time the Red Square has ever hosted a défilé.
Dior’s “space aliens” looked really shocking to the Soviet people in 1959. Our nation was still recovering from WWII, and building a “new era of communism,” in which there was no place for heels and beautiful dresses.
I was proud when I heard producer Alexandre de Betak say that he was impressed by the show’s set. V-Confession Agency, owned by Ksenia Tarakanova, built the mirrored pavilion in the Red Square. I loved the space, and I think my blouse matches well! Continue Reading “Dior Walks the Red Square” »
It’s a Black Swan kind of week in L.A., as Natalie Portman looks likely to clinch the Oscar on Sunday. So what better time for her pals at Rodarte, Laura and Kate Mulleavy, to debut their first solo exhibition—of their Black Swan designs, no less? L.A. MOCA’s Jeffrey Deitch snagged the sisters’ designs for Rodarte: States of Matter, which opens March 4 at the museum. The tightly edited collection of Swarovski crystal-dusted costumes and other sculptural designs was brought to life by the duo’s longtime collaborator, French producer Alexandre de Betak, who also works on their runway shows. “We wanted to express the duality of dark and light,” de Betak explained at a preview of the exhibition last night, referencing the strict color theme and extreme lighting design. “It’s in the different textures they use and it was important to express that in the way we brought it all together—the fluorescent and then the moody lighting, the beautiful white costumes and the drama of the dark.”
Hot on the heels of their Fall ’11 show, the critical darlings attracted an impressive showing considering Oscar week’s tight social calendar. In town for Barry Diller’s pre-Oscar luncheon, CFDA president Diane von Furstenberg stopped in to congratulate the sisters and spent time with André Balazs, while guests like China Chow, Liz Goldwyn, and Audrey Marnay milled. Even crosstown rival LACMA’s Michael Govan arrived with his wife, Balenciaga’s Katherine Ross, in Rodarte for the occasion.
Of their first solo exhibition, Kate Mulleavy felt they’d found the perfect home. “It’s so amazing because MOCA is such a special cultural place in Los Angeles and even globally now. Having grown up here, it’s such an honor. We’ve never really done anything like this before in Los Angeles.” And it appears collaborating with de Betak was key. “It makes it even more special to do it with Alex. He’s such an incredible artist and what he does allows us to build these worlds. The fact that he took a chance on us even though we’re still relatively younger and independent is amazing, and being able to continue to work together so many seasons is special.”