1 posts tagged "Alta Moda"
In past interviews, Mario Testino has alluded that his childhood in Peru was that of a misfit. He was the fashion-crazed oddball in a traditional Catholic family, and by his early twenties, he had left his native Lima for London. So it would seem a touch ironic that Testino returned to Peru to shoot what are arguably some of the most fantastical fashions of his career. Alta Moda, on view at Manhattan’s Queen Sofia Spanish Institute, is the culmination of five years’ work photographing traditional costumes worn by the people of the mountain city of Cusco. All twenty-seven images on view are a window into a lush world rarely seen—particularly by Testino’s usual audiences. The opulent outfits were shot against a traditional painted backdrop from the archives of Martin Chambi, Peru’s seminal indigenous photographer. Below, Testino talks to Style.com about the couture-caliber costumes, his fascination with tradition, and the show’s notable departure from his usual oeuvre.
The name of the show is Alta Moda. What similarities did you see between these costumes and traditional haute couture?
I am known more for shooting a dress like a couture dress, so I thought the game of words was interesting: on one side it’s called Alta Moda because [the costumes com from] the highest region of Peru and “alta” means “high.” The other reason was because these dresses have been made with the same care and the same attention with which a couture dress is made, and it’s lasted for hundreds of years. They repeat the same tradition of embroidery, of the stitching, of the weaving, and couture is like that. There’s a parallel to it, so I thought it made a lot of sense to use that name.
In terms of a jumping-off point with the costumes you were shooting, was it more of an aesthetic connection initially, or a cultural connection?
I think it is a mixture of cultural and aesthetic. This is something I have always been interested in. When you look at my career, in a funny way, I’ve always been doing things related to tradition. I do the royal families, I go to Seville for the holy week and the fair of Seville, when all Sevillians go out into the streets dressed in flamenco dresses, on their horses. I’ve done the same thing with the Catholic church. I did a little exhibition called Disciples, and I went to Rome and photographed all the bishops and the cardinals dressed in their costumes. So the whole resurgence of costumes is something that has always fascinated me, and I’m always being drawn back to it. I guess it’s a mixture between culture and beauty, and aesthetics.
As someone who doesn’t do many exhibitions, what made you want to show these images?
I opened a cultural institute in Peru called MATE, and I have to come up with exhibitions for them constantly. That’s what originally made me do this exhibition, because I thought it would be interesting for Peruvians to see something they have that maybe they don’t look at normally. It’s like everything: when you have it down your doorstep, you don’t look at it, and maybe you take it for granted. I went to do a job for British Vogue in this region, Cusco, which is the highest in Peru. The thing that brought me to discover this archive of treasures was that I asked for some costumes for some of my fashion pictures for the magazine, and when I saw the whole collection, I thought, “I have to document this.”
You used archival backdrops from the collection of Martin Chambi. What was your intention in doing that? Was it an homage?
I was very influenced when I saw an exhibition at the Photographers’ Gallery in London of Martin Chambi in the early eighties, because being Peruvian, I didn’t know about this work, and when I discovered it, I was quite surprised, really, that somebody had documented so well a region that we were all a bit ignorant about. When I arrived in England, I taught myself everything about Europe by looking at photographers like Cecil Beaton, or August Sander, who documented their society, their country, their history, and when I saw this exhibition of Martin Chambi, his portraits were particularly amazing in front of these backdrops. But the thing that caught my attention the most was going to Peru and finding these costumes, it reminded me that I had seen once a picture of Irving Penn’s, from when he had gone to Peru and photographed children against these backdrops. I thought it was an interesting way to bring all the photos together, and to really concentrate on the clothes. Continue Reading “Mario Testino Goes Back To His Roots” »