22 posts tagged "Andy Warhol"
“These were some of the first shoes Rick ever made when he was in Hollywood,” said Michele Lamy at the opening of Show and Tell: Calder Jewelry and Mobiles last night. Lamy—the wife and muse of Rick Owens—was referring to a pair of sky-high, heelless black platforms that she wore while effortlessly climbing the spiral staircase of Salon94‘s uptown gallery. Lamy had come into town from Paris to style the exhibition, which showcased the oft-overlooked crowns, earrings, necklaces, and cuffs (most of which are for sale through Salon94) crafted by twentieth-century sculptor and painter Alexander Calder. “I screamed when I first saw the jewelry,” professed Lamy during our interview, pulling her tattoo- and ring-covered fingers to the chest of her Comme des Garçons vest. She flashed a smile, exposing her gold and diamond teeth. “I’m such a fan of his.”
In addition to styling models for the event, Lamy enlisted artist Matthew Stone to snap Polaroids (with Andy Warhol’s camera, no less) of guests donning Calder’s creations. Furthermore, she’s working with artist Youssef Nabil on a Calder-centric photo series, which will star such characters as Debbie Harry, Cindy Sherman, Björk, Joni Mitchell, and Cher.
Although Lamy is most frequently associated with Owens, whom she met in her forties, she’s led an enthralling and utterly eccentric existence all her own. “It’s like she’s had ten lives,” said artist Carson McColl, who flew in from London for the fete with his boyfriend, Gareth Pugh. Considering she’s spent time as a cabaret dancer, an L.A. club kid, a fashion designer, a law-school student, and a stripper, he was hardly exaggerating. Here, Lamy talks to Style.com about Rick Owens’ Spring show, Calder’s work, and her taste in jewelry.
This exhibition celebrates an artist who also made jewelry. Do you think that jewelry and fashion are art?
That’s always the question! Some think art is unique pieces, and the Calder pieces are unique. If you do your own piece, it could be art. It’s very difficult to know the difference. Calder’s pieces were made by hand, and I think that makes it art. Clothing is more difficult because you have to produce more of it.
Do you think what you and Rick create is art?
I hope our life is.
Are your and Rick’s creative visions always in line? Do they ever differ?
They differ, but he always wins. If you don’t have the same aesthetic values, it’s difficult to live with somebody. If you don’t have the same political ideas or whatever, it’s fine. But if somebody says, “Oh, I like this,” you have to know what it is and feel the same way. Because he’s the designer, he’s the one at the front, and then I’m navigating. He’s the captain, but I’m pushing him.
You’re the current.
I recently interviewed Nicola Formichetti, and he said that Rick’s Spring show “changed everything” and that he and the other designers who watched it “were all jealous of his genius.” What is your reaction to that, and how did you feel about the show?
It was extraordinary to come [to the States] after the show, because it was around Halloween and there were people who went dressed as Rick Owens steppers! I told him immediately that this was a statement. The show was such a burst of joy and emotion. Those girls rehearsed themselves. It’s what they do, and all their hearts were in it. It was a burst of humanité, générosité, and loving, and everything was fantastic. Rick said that it was so real that he’s not going to try to top this show…of course, we’ll see. You know, in New York there was a discussion about [race on the runway], and then [people said] that Rick did this show and it was the answer. But it was just a spontaneous gesture—wanting to express how you feel about yourself to the world. Continue Reading “Michele Lamy: Adorned and Unfiltered” »
Beginning today, a mash-up of pop-culture enthusiasts, movie stars, and old-school Marvel collectors will descend on San Diego for the annual Comic-Con International. While you’re more likely to catch members of the fashion set waiting hours in line for an exclusive sample sale than a sneak preview of the new Captain America film, designers and tastemakers have latched onto cartoonish prints. A case in point is Raf Simons, who featured charming Andy Warhol sketches on his Fall runway for Dior, and scattered vibrant pop-art motifs (and text blocks that read “Artificially flavored” and “This is the new shape”) throughout his namesake menswear line for Spring. Disney-style swallows flitted across a shirt at London’s MAN show, and Bambi himself was stamped on Riccardo Tisci’s collection-opening sweatshirt at Givenchy. But Mickey always wins. Miley Cyrus and street-style maven Carlotta Oddi, among others, have gone Mouseketeer lately.
From Warhol’s Factory to Basquiat’s studio, throughout the eighties, downtown Manhattan was the place for young creative types to be. Photographer Jeannette Montgomery Barron was there, and her new tome, Scene, is a sort of yearbook of the time, documenting the likes of Cindy Sherman, Keith Haring, Francesco Clemente, Willem Dafoe, and more early in their careers. “I was just a fly on the wall,” recalls Montgomery Barron, speaking at Indochine, one of her old haunts. (“It looks almost exactly the same, but there were a lot of drugs happening in the bathrooms back then.”) This afternoon, she’ll sign copies of Scene—which, in addition to the snaps, features personal anecdotes about each artist—at Bookmarc, and starting tomorrow, a select group of her black-and-white photographs will be on display in an exhibition at ClampArt. Here, Montgomery Barron discusses her book, and reminisces about shooting Warhol, working out with Bianca Jagger, and spending time with Basquiat.
How did you find yourself in the center of the eighties New York art scene?
I was just lucky. It’s not that I went out and said, “I want to record every artist from A to Z.” It was more like I’d photograph Francesco Clemente, and he’d say, “You should really go photograph my friend Kenny Scharf.” It was very organic in that way. And, I mean, I knew I could drop a name. I’m sure I said, “Hey, I’m a friend of Andy Warhol. Can I shoot you?” I guess I’d get an adrenaline surge.
In the book, you mention that you could just call up Andy Warhol and ask to take his picture. What were those sittings like?
The first time I photographed him was at the Factory in Union Square, and he wouldn’t even let me out of the outer lobby. When I met Bianca Jagger and we became friends, he warmed up. He never really talked much, but he always made you feel like you were the most brilliant person who said the most profound things. Continue Reading “See and Be Scene: Jeannette Montgomery Barron on Her New Book” »
The dandy: It’s a term we hear on loop, it seems, when it comes to horn-rim-wearing street-style stars and all things bespoke or buttoned-up. But the dandy has a far richer history than the current zeitgeist lets on; one that includes the likes of George “Beau” Brummell—an arbiter of men’s fashion in eighteenth-century England who was known for being “extremely neat”—King George IV, Oscar Wilde, and Andy Warhol (whose paint-splattered shoes are pictured below). On April 28, Providence’s RISD Museum of Art will celebrate the term with the opening of its summer exhibition, Artist/Rebel/Dandy: Men of Fashion.
“As we delved into the subject of the dandy in art, literature, and history on an intellectual level, we felt a strong need to focus on the tangible garments worn by dandies past and present,” said Kate Irvin, the museum’s curator of costume and textiles. The selection runs the full temporal gamut—with current provocateurs such as Thom Browne and Waris Ahluwalia featured alongside more archival names, like Stephen Tennant (above, left), Charles Baudelaire, Richard Merkin, and Malcolm McLaren.
As assistant curator Laurie Brewer details, dandyism is as diverse as it is distinct, and it’s not strictly limited to one bracket of dressing. “I am always smitten with the extraordinary feat of what a bespoke suit can be—but I also fully appreciate Rick Owens’ radical take on menswear—hard and romantic, masculine and feminine.” Owens is also featured in the exhibit, lending credence to the sartorial vastness encompassed by the term. Expanding on the subject, the curators concluded, “there may be boundaries and rules that one feels compelled to follow when dressing, but one must always recognize that they are elastic.” Alongside the exhibition comes the release of a corresponding illustrated book, which features essays by the likes of Thom Browne, Glenn O’Brien, and Style.com’s editor in chief, Dirk Standen.
Artist/Rebel/Dandy: Men of Fashion will run from April 28 through August 18 at the RISD Museum of Art .
For any Dior-wearing mothers wondering how to coordinate Raf Simons’ Fall ’13 Warhol-print shifts and bags with their baby gear, Bugaboo has the answer. Today, the stroller brand announced that they’ve launched a multiyear collaboration with the Andy Warhol Foundation—the first installment of which will hit stores in May. Having previously released fashion-forward strollers with the likes of Missoni and Viktor & Rolf, Bugaboo’s debut Warhol project features the artist’s 1946 “Flowers” series and his 1962 “Cars” series. The painterly prints will appear on canopies tailored for the Bugaboo Bee, Bugaboo Cameleon, and Bugaboo Donkey-style baby carriages, and will even grace a little parasol. Where stylish moms are concerned, Mr. Simons’ Warholian wares may have met their match.
Bugaboo’s collection of Andy Warhol stroller accessories ranges from $69.95 to $109.95 and will be available at Neiman Marcus and Bloomingdale’s this May.