August 28 2014

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4 posts tagged "Angela Donhauser"

Threeasfour’s Food for Thought


Threeasfour When most people think of food as fashion, images of Ring Pops, candy necklaces, or even edible panties may pop into their heads. Yet when Threeasfour’s Gabi Asfour considers the eatable sartorial, he comes up with techno-wire dresses crusted in fresh-baked challah bread. Go figure.

Last night at New York City’s Jewish Museum, Asfour, along with his Threeasfour co-designers Angela Donhauser and Adi Gil, showed just that: a trio of models in custom “fractal” garments coated in carbohydrates, for a performance piece dubbed Fest. “Tonight was great for this,” Asfour told “It got cold, and now when you come in it smells even better, all this bread!”

The twist here was that the audience could look and also touch—patrons were invited to literally pluck their roll of choice off one of the girls, season it, and eat it. “We are using this as a unifying medium,” explained Asfour. “Almost everybody in the world has bread in their culture. It’s a unifying theme.” Kind of puts the term food for thought in a whole new context.

Though Fest was a one-night-only affair, Threeasfour is currently airing an exhibition at The Jewish Museum (where the label also presented its Spring ’14 collection in September) through February 2014 called Mer Ka Ba. Showcasing commonalities in language and text between such religions as Judaism and Islam, the exhibit also seeks to convey a unifying message. For more information, visit the museum’s Web site.

Photo: Da Ping Luo, Courtesy of the Jewish Museum

A Lot Can Happen on La Divanee


Jessica Mitrani and Rossy de Palma

Last night, director Jessica Mitrani invited such pals as Threeasfour’s Gabriel Asfour, Adi Gil, and Angela Donhauser, Glenn O’Brien, and Victoria Bartlett to an intimate gathering at her exotic (think zebra-skin rugs and a grand white peacock) Tribeca apartment. The occasion was the completion of her new short film—La Divanee, starring Fatimah Azzahra—

De Palma's voice-over helps tell the story of Mitrani's heroine, who chooses to spend her entire life actively reclining on a chaise longue. “It came from a few ideas—the first being when I wake up in the morning and can just contemplate in my bed. I think those moments are quite special. And the other idea was about a reclining nude,” Mitrani explained, noting that she felt classical female nude artworks focused on women of leisure and were geared toward the male gaze. “I thought, What if I make a recline that’s very productive?” Indeed, the leading lady is just that—during the movie she gives birth, writes seven novels, and hosts a salon every Wednesday. In keeping with Mitrani’s artistic inspiration, the film’s star is nude, save what appears to be a giant strip of snakeskin draped over her body. But the director—who won last year’s ASVOFF festival with her religious hat-centric short, Headpieces for Peace—asserted that clothes, and what they represent, are essential to her films. “Fashion is narrative; it’s part of the dialogue. All my films have a fashion element because fashion is a mode of communication.”

Speaking of clothes, de Palma, who was decked out in Dolce & Gabbana, Miu Miu, and Armani, offered, “This is a very special film. Jessica has an amazing energy and sense of humor.” When asked where she’d choose to perma-lounge, de Palma responded that she wouldn’t mind spending the rest of her days in New York perched “somewhere on the High Line.”

Bartlett, whose one-eyed cat, i-D (named for the mag), has a supporting role in the film, quipped that she’s not the “reclining” type. “I’m too active. I’m not a couch potato…” That may have something to do with her latest project—a reimagining of the VPL aesthetic via high-fashion gym clothes. “We’re converting everything into activewear. It’s going to be gymwear, but it’s going to have a life that can cross from day gym to night.” The sporty endeavor is set to launch this July.

Photo: Carly Otness/BFAnyc.comĀ 

Threeasfour Goes For Three-In-One


Lingerie, fitness gear, and eveningwear—all in one? Versatile might be an understatement for Threeasfour’s newly launched collection of leotards, bra tops, and leggings, debuting exclusively here on “I come to the studio all day, and then go to yoga, and then sometimes I go out at night in it,” says Adi Gil, who designs the line along with Angela Donhauser and Gabriel Asfour. “It works and really looks good for all of those occasions—that’s the magic about it.” Gil has even been sporting the Yin & Yang Body leotard while she’s out surfing. Note: They aren’t necessarily SFB (safe for beach) because they aren’t lined, but even dry, the swirling opaque and sheer one-piece will turn heads. The collection, now available at their Web store for a price point that’s much more affordable than their runway collection, is another step in their efforts to position the line as accessible. How does the trio plan to open up next? “A collaboration—this is one of my dreams,” Gil said, listing Stella McCartney’s Adidas collection as a personal favorite. “From wet suits to yogawear to swimwear to dance, I think there is so much room for improvement and growth in those fields, in terms of style.”

Photo: Elisabet David

Threeasfour Is Loco For Yoko


Yoko Ono requires no introduction. Artist, musical groundbreaker, all-around revolutionary…You know. Yoko Ono. It’s a surprise, really, that a woman so iconic isn’t inspiring fashion collections each and every season. This season, at last, Ono will be front and center at Threeasfour, and in more ways than one. Adi Gil, Angela Donhauser, and Gabriel Asfour, the designers of Threeasfour, have taken Ono as their muse for Spring 2010, adapting some of her little-known dot drawings for prints in the new collection, cajoling her into soundtracking the show, and putting her in the front row. The connection between Ono and Threeasfour isn’t incidental; her son Sean Lennon, also a person who doesn’t require much introduction, has been buddying around with the Threeasfour crew for years. “He filled me in on their work,” Ono says. “So I was excited to meet them, finally, at a concert a friend of mine was giving in my loft.” Lennon has actually contributed music to previous Threeasfour shows—a few seasons ago, he played live. But the music at the Spring ’10 show is a family affair: The new Yoko Ono Plastic Ono Band album, Between My Head and the Sky, which Lennon produced, comes out September 22 on his own label, and Threeasfour showgoers get the preview. The show is tonight at MAC & Milk; in the meantime, Ono and Lennon talk to about synchronicity, dots, and diaper-changing.

Sean, I vaguely recall that you wrote a new piece for that Threeasfour show you played at a few seasons ago…
Sean Lennon: The birdsong opera. That was a funny situation—they wanted something involving birds, and I’d just happened to have been working on something using this old scientific birdcall album.

That’s some synchronicity.
SL: We’re like family. There’s a very strong kind of internal connection. But this show, this story’s not about me. It’s really about the connection between my mom’s art, her drawings, and Threeasfour’s sense of form. I mean, it’s kind of eerie—this series of abstract pointillist drawings is just crazily similar to the way they do their cuts. It seemed like it would be cool to use the music to extrapolate the connections between their aesthetics. Especially since we have the album coming out next week.

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