24 posts tagged "Anja Rubik"
“I’ve always been inspired by strong women with integrity,” says Johan Lindeberg. “And I like to surround myself with a lot of them.” Lindeberg’s circle of tough chicks inspired his most recent project: a limited-edition, super-luxe version of the BLK DNM leather jackets
that are already a house favorite. “Whenever I’d meet or collaborate with someone, like Anja Rubik or Caroline de Maigret, I’d envision a different jacket,” he explains.
Focusing on texture and intricate embellishments, like croc-stamped lapels and fur accents, the eight-piece collection features buttery green, brown, black, and purple Italian leather, as well as printed shearling. This kind of luxury doesn’t come cheap: Available from Friday at Colette, as well as the BLK DNM stores in New York and Stockholm, the jackets will range from $3,495 to $3,995, a little steeper than the brand’s usual democratic prices. “When something’s really special, it’s going to cost more,” the designer shrugs, noting that each jacket is made in New York’s Garment District.
It should be noted that Lindeberg hasn’t forgotten about the guys in his life. In addition to creating custom suits for artist Aaron Young, as well as a made-to-order shearling for The Strokes’ Albert Hammond, Jr., the designer has a similar menswear project in the works. But for the moment, this leather’s all for the ladies.
It may not come as a surprise to those who have seen her work gravity-defying wonders in an Anthony Vaccarello gown slit just about to her sternum, but Anja Rubik isn’t shy about sex or sexuality. And now, with her relaunch of 25 Magazine, she’s creating a forum to talk about it.
Rubik has been involved with the magazine since 2009, when she and then-boyfriend (now-husband) Sasha Knezevic signed on to work on the Viennese title, but she’s since taken full editorial control and rebranded the glossy in the image of Viva, the Bob Guccione-published erotica mag targeted at women, which ran from 1973 through the end of the decade. But mere smut it isn’t; the new issue, shot entirely by women, features photos by Inez van Lamsweerde, Annie Leibovitz, Ellen von Unwerth, and Paola Kudacki, whose “Heroes of 25″ series is pictured above.
Calling in from her native Poland—between shooting in London and jetting off to Cannes, where on Wednesday she’ll launch the magazine with a party at Pierre Cardin’s manse Palais Bulles—Rubik spoke with Style.com about sex versus sensuality, men versus women, and the lessons she’s learned as a newly minted editor. Key among them: Don’t fear the nipple.
Tell me about the vision for 25.
I had the idea because I really loved the magazine Viva from the seventies, which was a Penthouse publication for women. I loved the vision of it, and that was what formed the inspiration for me. 25 is basically directed toward very strong-minded, ambitious women, who are very comfortable with themselves and their sexuality. I was thinking a lot recently and looking how sex is approached nowadays, and nudity, and bodies. Erotica kind of disappeared. The way we approach sex is either really prude or very vulgar.
What will be in the new issue?
Every picture that’s in the magazine is shot by a woman. We have incredible photographers, like Inez [van Lamsweerde], Emma Summerton, and Katja Rahlwes. Annie Leibovitz donated pictures. Ellen von Unwerth. Basically, the magazine consists of beautiful images. It’s less of a magazine, more of an album. And in general, 25 is more than the magazine. We were trying to create an identity, to do a lot of projects connected to it. We’re doing one with Net-a-Porter that will launch quite soon. We did a video with Barnaby Roper and Kanye West that will launch at Colette. It’s a whole lifestyle, a whole vision.
Were there editors you looked to for inspiration or advice? Or other magazines?
I had a lot of references from past magazines, and Viva was the very big inspiration. [But also] Playboy from the seventies, Penthouse from the seventies. And of course editors, yes, Carine [Roitfeld] was a big inspiration as well. Fabien Baron is incredible; I think he has an incredible vision, so clean and minimalistic, that influenced the magazine as well. But I didn’t want it to be too clean on the other hand, because the inspiration was the seventies, and the magazines in the seventies are very far from that. It was a bit of a struggle. And I don’t want it to be taken too seriously. There’s a lot in it that has a sense of humor, a wink.
Do you think men and women approach sex differently?
I think it’s definitely different. In general, I think women approach it in a more sensual way, and a more personal way than a man. A man looks at it and thinks is it sexy or not. A woman will look at every little detail and more of the feeling of the image rather than is the girl sexy. For a woman to take a sexy picture, it takes way more than for a man.
Continue Reading “Anja Rubik: Let’s Talk About Sex” »
Where Angelina goes, the red carpet follows. It’s been scant months since Jolie bared her now-famous leg in Atelier Versace at the Academy Awards—the leg that launched a thousand tweets and at least one Twitter account—but hipbones and acres of thigh made bold appearances last night at the “East Coast Oscars,” the Met gala. Gisele Bündchen made the leg-jut her own in Givenchy Haute Couture, as did Anja Rubik in impossibly slit Anthony Vaccarello. The lesson: Make a statement if you can pull it off, but this is not a look for mere mortals. (There’s a reason “super” is typically appended to “model” in their titles.) Do not try this at home—you could pull something.