21 posts tagged "Ann Demeulemeester"
Browns has been an English institution for four decades now. Mrs. B isn’t one to let an occasion like that go under-celebrated. For the store’s 40th anniversary, the pioneering retailer—who brought Ralph Lauren, Calvin Klein, and Sonia Rykiel to England and was an early booster of Hussein Chalayan and Marios Schwab—put together an exhibition, opening tomorrow, of 40 Browns “ambassadors” in finery pulled from its archives. Paolo Roversi shot Marc Jacobs in Halston (above), Eva Herzigova in Mark Fast, and Ann Demeulemeester in her own collection (both below), among many others. And as for Mrs. B herself? The lady chose Marni for her close-up (bottom, left). Continue Reading “If Only All Ambassadors Dressed Like This” »
For a country roughly the size of Maryland, Belgium has had an outsize influence on fashion over the past two decades. Dries Van Noten, Veronique Branquinho, Ann Demeulemeester, Olivier Theyskens, and Raf Simons are among the many who hail from there and who studied at the famous Royal Academy of Fine Arts in Antwerp. And it appears that Belgium is the fashion gift that keeps on giving: This season, Showroom Antwerp is exporting seven emerging Belgian designers (and their collections) to New York fashion week. Anke Loh, Anna Heylen, Idriz Jossa, Lenny Leleu, Marc-Phillipe Coudeyre, Peter Ceursters, and Stephan Schneider will be taking up residence at Flanders House in midtown today; of these, Schneider is the locally familiar name, selling his clean, detail-driven menswear (pictured) at stores such Project No. 8 and Opening Ceremony. Schneider presents his collections in Paris but says that increasing interest from the U.S. media and retailers compelled him to bring his Fall ’10 wares to New York for a look-see. “This season seemed the right moment for us to join New York fashion week,” he explains.
Last week, we previewed a sketch of Nicholas Kirkwood’s Alice in Wonderland-inspired heels, made on commission for the French department store Printemps, which is giving over its windows to all things Alice through March. (Sad to say, they’re window-only—you’ll have to find another pair to wear to the theater.) For the installation, Kirkwood is joined by Ann Demeulemeester, Alexander McQueen, Bernhard Willhelm, Charles Anastase, Christopher Kane, Chloé, Haider Ackermann, Manish Arora, and Maison Martin Margiela, each of whom were given a window to fill as they saw fit. The windows went up this week in Paris. Below, Style.com takes a tour through the various Wonderlands and asks a few of the participating designers and design teams about their trip there.
The windows are on view through March 14 at Printemps, 64 Boulevard Haussmann, Paris, 33-1-42-82-57-87, www.printemps.fr.
“I think my favorite Alice character is the March Hare. You can see I’ve made his watch rather prominent. This was a different design process for me, because I’m not usually so applicative—typically, I’m thinking about line, silhouette. But this time, I figured, why not just pile as much as I can on top?” —Nicholas Kirkwood
“I went to John Tenniel’s original illustration of Alice for inspiration. She’s seated at a table having tea, and her dress looks much more asymmetrical and theatrical than that boring Walt Disney version. It was also an auto-reference to my collections, as Lewis Carroll’s work has been one of the main inspirations of my label since its creation. Alice Liddell, the real little girl with long dark hair who inspired Carroll, is one of the very few icons that I have. The pictures of her are a constant inspiration for me.” —Charles Anastase
Continue Reading “Nicholas, Chloé, Ann, And More Take On Alice” »
Johnny Depp and Patti Smith are two of the most oft-referenced style icons in the world, so no big surprise that they’d also turn out to be potent influences—on each other. At MoMA’s party for Tim Burton last night, the frequent Burton leading man (in Tom Ford) and the still-punky chanteuse (in what looks like Ann Demeulemeester to us) go for such similar basic-black ensembles, you could almost mistake them for twins. (More easily than you could, say, the actual twins in attendance.) We know they’re each wearing their signature outfits—Johnny loves an open-necked suit look, and Patti’s been rocking the nouveau-Amish thing for some time—but taken together, two might be just too much. What do you think: Is what’s good for the goose good for the gander, or are Smith and Depp angling for roles (a second one, in Johnny’s case) in Burton’s upcoming Alice in Wonderland—Tweedledum and Tweedledee?