April 17 2014

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21 posts tagged "Anndra Neen"

Exclusive: The Do-Good Fashions From Project Paz’s Gala and Benefit


Using hand-sewn Mexican fabrics supplied by Museo Textil De Oaxaca, the designers behind 12 different lines, including Eddie Borgo, Wes Gordon, Thakoon, and Michael Bastian, have each created limited-edition pieces for tonight’s Project Paz gala and silent auction in New York, which will raise money to promote peace in Ciudad Juárez, Mexico. “It was important to me to get involved because the level of violence that occurs in Cuidad Juárez is truly inhuman,” Peter Som tells Of the design assignment, Som says, “There weren’t any guidelines —the fabric was a beautiful canvas for me to create with.” What he made was a dress using fabric from the town of Pinotepa de Don Luis, with touches of his spring rose print.

Of his design, Phillip Lim says, “I think all too often society is very dismissive of technique and artisanal history —they take what they want and discard things very quickly —so I wanted this piece to respect tradition. I tried to do this by having the biker jacket embrace the Rebozo —it almost has it in its arms.” Here, has the exclusive first look at the designs, photographed by Ruven Afanador. The pieces are available during and after the event on L-Atitude.

Photos: Ruven Afanador

A Showstopping Sister Act


“I’m sad because three designers didn’t win,” said Giovanna Battaglia on Saturday evening at the Beverly Hills Hotel, where the Dorchester Collection Fashion Prize Grand Final was taking place. She and her fellow judges, including Georgina Chapman, Keren Craig, Francisco Costa, Elizabeth Saltzman, and Derek Blasberg, evaluated four up-and-comers (Anndra Neen, Giulietta, Julian Louie, and Siki Im) based on one last fashion show, walked by America’s Next Top Model contestants.

As guests including Tracy Ross and Cameron Silver mingled in the Rodeo Ballroom, the panel deliberated for the mere 15 minutes allotted before announcing the winner, Anndra Neen, by the sister design duo Phoebe and Annette Stephens. The jewelry and accessories collection, inspired by their Mexican art world upbringing, is characterized by large, almost armor-evocative statement pieces in mixed metals, including skeletal corset belts. Sympathetic as Battaglia was to the designers of the other three lines, she voted for Anndra Neen. “I’ve loved them since the beginning,” she said. “I photographed their pieces years ago.” For Costa, the decision was a tricky one. “Ultimately, it was a question of longevity,” he said. “Anndra Neen seems to have a great business sense and of course, beautiful product.”

Photo: Michael Kovac / Getty Images

The Odyssey, By Anndra Neen


Sisters Phoebe and Annette Stephens, the design duo behind jewelry line Anndra Neen, have an artistic streak that spans generations. Their grandmother, Annette Nancarrow, was an artist who ran with Diego Rivera and Frida Kahlo’s inner circle; their father, Luis Stephens, is a Mexico City-based painter. Given that lineage, it’s no surprise they’ve taken to the family “business.”

Inspired by the concepts of new beginnings and celebrating spring, they worked with silver, brass, and copper to create organic shapes that could easily be considered wearable art. Geometric breastplates, mini cage clutches (an Anndra Neen signature), and light, thin chokers with oversized agate and onyx stones were on display in the hollows of a custom-built Trojan horse where Greek soldiers would have hid.

“We wanted to create a space that was unique for the jewelry to live in, so we decided to encase it in this sculpture,” Phoebe told “After all, the Trojan horse ended a period of instability and began an era of prosperity,” Phoebe told

The sisters have had their own odyssey of sorts. Born in Mexico and educated in the States, they took a trip to Japan in 2009. They were so inspired, they joined forces to create Anndra Neen. Now based in New York, they travel back to Mexico every few weeks to oversee the production of their collection, which now counts Michelle Obama, Drew Barrymore, and Anna Paquin as part of the fan base.

Photos: Courtesy of Anndra Neen; Dean Neville/

Shopping For Mr. (Or Ms.) Pink


Fashion and film have long made for fine bedfellows. (Just take Marc Jacobs’ Taxi Driver-inspired Spring collection or Karl Lagerfeld’s myriad Last Year at Marienbad references throughout Chanel’s.) But to celebrate its new, decidedly modern digs just off a particularly glitzy strip of Melrose Avenue in West Hollywood, L.A. boutique Ten Over Six is taking film-inspired fashion to a new level. Owners Brady Cunningham and Kristen Lee commissioned friend Lun*na Menoh (an artist, singer, and fashion designer whose husband does all of Ten Over Six’s book buying) to create one-of-a-kind garments inspired by ten iconic films, from The Deer Hunter to 8 ½. “They’re all handmade; each one is a little different and the label will tell you the movie, the year it was made, and the director. They’re fascinating pieces because they’re like a collage in a way,” Cunningham said, pointing to a collared shirt with tie and cardigan that references Reservoir Dogs. For verification, you only needed to look at the wall—at the opening party on Saturday night, clips from the ten films screened on a loop.

Of course, it’s not only film fashion at the new space. Dresses from Vena Cava, capes from Ten Over Six’s in-house line, and embellished footwear made in collaboration with NYC jewelry line du jour Anndra Neen are all on offer, too. And, tucked away behind a semi-transparent partition is Cunningham and Lee’s work/design space. As they say in Hollywood, it’s where the magic happens.

Ten Over Six is located at 8425 Melrose Ave., L.A., (323) 330-9355,

Photo: Courtesy of Ten Over Six

Matthew Ames Gets Twisted


Designer Matthew Ames embarked on his first-ever brand collaboration this season, designing jewelry with the sui generis metalsmiths at Anndra Neen. The pieces that will be seen on the Ames runway tomorrow likewise represent a collaboration first for the Anndra Neen designers, sisters Phoebe and Annette Stephens, who say that they were drawn both to the sculptural simplicity of Ames’ line, and his idea of making anklets. And according to Ames, what appealed to him about Anndra Neen was the fact that its jewelry “has such a strong, individual identity, and isn’t really identifiable with any place or time.” To describe the Ames and Anndra Neen jewelry as “statement pieces” hardly does it justice—it’s really more like wearable sculpture. They offered a sneak preview.

Photo: Steven Torres