22 posts tagged "Anthony Vaccarello"
Let the Versus Versace rumors begin! According to British Vogue, Versace is chatting with Belgian designer Anthony Vaccarello about becoming the next guest designer for its Versus range. Should he be picked, he’d follow in the footsteps of J.W. Anderson and Christopher Kane. While Versace hasn’t confirmed the rumblings, we think this collaboration might make the most sense of all—Versace and Vaccarello (who will show his Spring ’14 collection on Tuesday in Paris) share a certain sexed-up sensibility. Couldn’t you just see a short, black patent version of Anja Rubik’s barely there 2012 Met gown strutting down the Versus catwalk? In any event, all we know for sure right now is that Vaccarello’s Versus Versace would be one heck of a lot of V‘s.
After fourteen years in their cozy, pink Greene Street store, Kirna Zabête‘s Beth Buccini and Sarah Easley have packed up shop and moved to 477 Broome Street. “We’ve always had the same mission, to sell the most important designers of today and tomorrow, and we just didn’t have space for all of them,” said Easley. “And we were 26 years old when we first moved into that space,” added Buccini. “We’ve grown up, and our tastes have evolved.”
But they haven’t grown up too much—and thank goodness for that. Since it first opened in 1999, Kirna Zabête—its name is derived from the owners’ nicknames—has been known not only for offering a diverse selection of established brands (like Balenciaga, Lanvin, Givenchy, and the like) and hot up-and-comers (Anthony Vaccarello and Wes Gordon among them) but also for its quirky, playful sensibility. This carries over to the new 10,000-square-foot space, which, designed by Steven Gambrel, is what Easley describes as “glamorous Dr. Seuss, but chic.” Having opened on June 20, the Broome Street boutique, which boasts Dorothy Draper-esque black-and-white floors and bright fuchsia pillars, just received its finishing touches (like the six 5-foot-tall chandeliers) this week. As shoppers walk in, they’re confronted with the proprietresses’ favorite bit—a wall of clever phrases, like “Always be yourself, unless you can be a unicorn, then always be a unicorn,” in neon lights. “When you are buying really expensive clothes, you should feel good about it. You should be having a great time,” said Buccini. “So we did our warm, wacky wall of neon lights—the phrases are just funny things that register with us.” Also on their wordy wall is a phonetic spelling of the store’s name. Apparently, after almost a decade and a half of dressing tastemakers worldwide, the pronunciation still gets butchered on a daily basis. “We’ve heard it all,” said Buccini with a laugh. Continue Reading “Kirna Zabête Grows Up, and Out” »
Considering the winner receives a cool 250,000 euros and a two-season mentorship from Italian fashion tycoon Renzo Rosso, the ANDAM Fashion Award is one of the most coveted in the biz. And today, the group announced the seven finalists being considered for the 2013 prize. This year, AMI designer Alexandre Mattiussi, the ever-quirky Olympia Le-Tan (left), Yang Li, Pedro Lourenço, Maison Rabih Kayrouz, Masha Ma, and conceptual couturier Iris van Herpen will be competing for the honor. The winner, whose spoils will also include his or her Spring ’14 collection being sold in Canadian department store Hudson’s Bay Company, 10,000 euros worth of Swarovski Crystals to use on his or her Spring ’14 collection, and support from Fashion GPS over the next two years, will be chosen by a panel of industry insiders—including Colette’s Sarah Andelman, Humberto Leon, Paris Vogue‘s Emmanuelle Alt, and Style.com‘s executive editor Nicole Phelps—in Paris on July 4. Previous winners include Anthony Vaccarello, Giles Deacon, Richard Nicoll, and Gareth Pugh.
Fashion loves a good comeback, and Catherine McNeil is having just that. The twenty-three-year-old Australian model is arguably looking better than ever. (Perhaps that has something to do with love; she’s been in a relationship with fellow tatted catwalker Miles Langford for the past year or so.) And casting directors seem to be taking notice, as Fall ’13 has undoubtedly been McNeil’s biggest season, in terms of runway work, since her debut—count ’em—six years ago, in 2007. Over the past few weeks, the strong, feline beauty has been walking back-to-back major shows in all four cities, and she’s been particularly successful in Paris. Just yesterday, McNeil bookended Nina Ricci and Barbara Bui, and also did turns at Lanvin and Balmain. Additionally, she hit up Dior today, as well as Dries Van Noten and Anthony Vaccarello earlier in the week. Other A-list appearances this month include Prada, Giorgio Armani (where she was the opener), Marc Jacobs, and Jason Wu. McNeil has enjoyed a resurgence in editorial work, too, recently covering the February issue of Vogue Turkey and turning up in the pages of V and Harper’s Bazaar. McNeil is like a confident supermodel in a sea of stringy teenagers, and that’s refreshing.
It may not come as a surprise to those who have seen her work gravity-defying wonders in an Anthony Vaccarello gown slit just about to her sternum, but Anja Rubik isn’t shy about sex or sexuality. And now, with her relaunch of 25 Magazine, she’s creating a forum to talk about it.
Rubik has been involved with the magazine since 2009, when she and then-boyfriend (now-husband) Sasha Knezevic signed on to work on the Viennese title, but she’s since taken full editorial control and rebranded the glossy in the image of Viva, the Bob Guccione-published erotica mag targeted at women, which ran from 1973 through the end of the decade. But mere smut it isn’t; the new issue, shot entirely by women, features photos by Inez van Lamsweerde, Annie Leibovitz, Ellen von Unwerth, and Paola Kudacki, whose “Heroes of 25″ series is pictured above.
Calling in from her native Poland—between shooting in London and jetting off to Cannes, where on Wednesday she’ll launch the magazine with a party at Pierre Cardin’s manse Palais Bulles—Rubik spoke with Style.com about sex versus sensuality, men versus women, and the lessons she’s learned as a newly minted editor. Key among them: Don’t fear the nipple.
Tell me about the vision for 25.
I had the idea because I really loved the magazine Viva from the seventies, which was a Penthouse publication for women. I loved the vision of it, and that was what formed the inspiration for me. 25 is basically directed toward very strong-minded, ambitious women, who are very comfortable with themselves and their sexuality. I was thinking a lot recently and looking how sex is approached nowadays, and nudity, and bodies. Erotica kind of disappeared. The way we approach sex is either really prude or very vulgar.
What will be in the new issue?
Every picture that’s in the magazine is shot by a woman. We have incredible photographers, like Inez [van Lamsweerde], Emma Summerton, and Katja Rahlwes. Annie Leibovitz donated pictures. Ellen von Unwerth. Basically, the magazine consists of beautiful images. It’s less of a magazine, more of an album. And in general, 25 is more than the magazine. We were trying to create an identity, to do a lot of projects connected to it. We’re doing one with Net-a-Porter that will launch quite soon. We did a video with Barnaby Roper and Kanye West that will launch at Colette. It’s a whole lifestyle, a whole vision.
Were there editors you looked to for inspiration or advice? Or other magazines?
I had a lot of references from past magazines, and Viva was the very big inspiration. [But also] Playboy from the seventies, Penthouse from the seventies. And of course editors, yes, Carine [Roitfeld] was a big inspiration as well. Fabien Baron is incredible; I think he has an incredible vision, so clean and minimalistic, that influenced the magazine as well. But I didn’t want it to be too clean on the other hand, because the inspiration was the seventies, and the magazines in the seventies are very far from that. It was a bit of a struggle. And I don’t want it to be taken too seriously. There’s a lot in it that has a sense of humor, a wink.
Do you think men and women approach sex differently?
I think it’s definitely different. In general, I think women approach it in a more sensual way, and a more personal way than a man. A man looks at it and thinks is it sexy or not. A woman will look at every little detail and more of the feeling of the image rather than is the girl sexy. For a woman to take a sexy picture, it takes way more than for a man.
Continue Reading “Anja Rubik: Let’s Talk About Sex” »