2 posts tagged "Antonio Marras"
Today in Milan, the annual Salone del Mobile kicks off—the Milan furniture fair to me and you. And once again, fashion labels from both home and abroad and using the gathering to extend their reach from their clients’ clothes to their living spaces, debuting new collections and pieces.
Donatella Versace is one of Milan’s hometown heroes breaking out new wares for the occasion. “I think this is our ultimate home collection since it’s the perfect blend of fashion and design,” she told Style.com of the new offering. “It’s pure fashion in 3D! I wanted to make my outfits live in the homes of people and I think I finally succeeded. I love it because it is so direct and powerful that people will have no doubts when they see it: they’ll know it’s Versace.” It’s hard to imagine who else would combine leopard print, gold, heraldic crests, and crowns—on a single chair (left). But there’s subtler charm, too, in Versace Home’s gold-detailed leather sofa and undulating coffee table, debuting exclusively here.
If there’s no mistaking Versace, it’d be hard to mistake Maison Martin Margiela, either: the Maison has once again created a temporary apartment at the fair to showcase its furniture, produced by Cerruti Baleri. New for the season is the Lazy console table, scaled-down to off-kilter smallness, and a “shrinking” upholstered headboard, the Lolo (below). Continue Reading “Fashion And Furniture Meet In Milan” »
It’s been a banner year chez Kenzo. The Parisian label celebrated its 40th birthday in 2010, and while its legendary founder, Kenzo Takada, has retired from the helm (he now works on a home-goods collection), his successor, Antonio Marras, has kept the home fires burning. There was a gorgeous Spring show in Paris this October (“ludicrous[ly] beautiful,” Tim Blanks declared); a retrospective tribute takes place at London’s Victoria & Albert Museum today; and there’s a new coffee-table tome (Rizzoli, $75) dedicated to the history of the house. It’s lavishly illustrated with clippings from the archives, sketches from both Takada and Marras, ad campaigns, runway shots, and all the details you could want. Which, at Kenzo, would be a lot. The house’s signatures—wild prints, especially florals; folk-inspired layering; and billowing silhouettes—reward close inspection. And for just that reason, the book is full of foldouts, posters, and, smack-dab in the center, a large-scale pop-up like your kiddie books used to have (below). It’s a riot of flowers bursting into bloom, with the Eiffel Tower standing at the center, and the Japanese rising sun, in homage to Takada’s home country and the label’s spiritual home.