August 31 2014

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3 posts tagged "Antony and the Johnsons"

Antony Hegarty: One Night Only


The Museum of Modern Art is quietly making a case for being the best music venue in town. Of late, the museum has hosted performances by the likes of Patti Smith, Michael Stipe, Kanye West, and Jay-Z, and was preparing to host Antony Hegarty of Antony and the Johnsons, in a companion piece to his 2008 MoMA show. Then things got ambitious.

“At some point, we actually thought we would build a pool in the MoMA Atrium that you could walk over, and then it became a rotating laser lights, a 60-piece orchestra, hanging light sculptures,” MoMA’s chief curator at large, Klaus Biesenbach, said by phone from the Sundance Film Festival. “Then last year we realized we couldn’t fit it into the Atrium.” The new show, Swanlights, will be performed instead at Radio City Musical Hall. Swanlights, a one-night-only engagement, is a continuation of Hegarty’s 2008 performance at MoMA. “We did that one at the clock tower, it was much more intimate,” says Biesenbach. “That one was about carrying sound through the space, video productions and him singing.” From there, the show developed into the Antony and the Johnsons album The Crying Light, which was included in the exhibition 100 Years (version #2, ps1, nov 2009) at MoMA’s PS1. Hegarty and Biesenbach then spent two more years developing Swanlights, which includes songs from all four of Antony and the Johnsons’ albums set to symphonic arrangements by Nico Muhly, Rob Moose, and Maxim Moston, set to rotating light displays by artist Chris Levine.

Given Hegarty’s rabid following—especially among the fashion set—the decision to stage only a single performance is bound to ruffle a few feathers. But Biesenbach insists that the uniqueness is part of the point. “All the focus, energy, and artistic presence goes into the one night, which makes it an unrepeatable moment,” he says. “It’s a fleeting moment, it’s not meant to be repeated.” And what does he have planned for MoMA’s next show? His lips are sealed. “I’m German—it’s called superstition.”

Photo: Jan Erik Svendsen

Still Shakin’


We heard “Shake That Devil,” by Antony and the Johnsons, twice within two hours today, first at Anne Valérie Hash and then at Kris Van Assche—not really surprising, considering both designers talked about strong silhouettes in a time of economic crisis. We know three is a trend, but the only thing we’ll be really surprised about is if we don’t hear the song (off the EP Another World, released last fall) again before the end of Paris next week. For more on music from the shows, see our Milan runway soundtrack guide.


antony’s jellyfish couture


Lou Reed, Michael Stipe, and a bevy of art kids in thick-framed glasses and skinny jeans traded last night’s presidential debate for the P.S.1-hosted Antony and the Johnsons’ EP release party. It all went down at The Clocktower in Tribeca—the headquarters of P.S.1′s Art Radio station—with some tough security out front. “I really wanted to come tonight because I’m a fan of Antony and P.S.1 and I’d never been to The Clocktower. Also, I like going to parties where you have to walk through a metal detector!” joked Cecilia Dean. Luckily, her spiky Rodarte for Christian Louboutin heels with metal cat claws made it through. Guests admired projections of flowers on the walls until the performance, during which the band walked up a winding spiral staircase to the second floor as guests followed behind. “I was nervous about it, but it was OK,” Antony said afterward. A big fashion fan, the androgynous singer donned part of a three-layer gown he will wear at the Apollo on October 16. “This is sort of the underlayer,” he clarified. “The whole thing looks like this luminous jellyfish. It’s really beautiful.”

Photo: Zach Dilgard