4 posts tagged "Aurelie Biedermann"
This year, the January high jewelry presentations were but a prelude to the July Haute Couture season, which itself will be just a preview of what’s to come at the year’s biggest jewelry event: Paris’ twenty-seventh Biennale des Antiquaires in September. But even though most houses just offered a shimmering taste, indie brands and established houses alike gave us lots to lust for. Here, a roundup of the season’s most compelling gems.
Aurélie Bidermann: Aurélie Bidermann’s quintessentially boho-chic personal style reflects the various places she’s lived since childhood—Paris, London, New York, and especially South America, with a nod to India for good measure. This multicolored sapphire and gold cuff with a tsavorite scarab detail headlines her debut foray into precious pieces. The designer’s much-anticipated collection spans colorful critter-shaped charms, a heavy elephant pendant, woven gold bracelets with diamond-lined edges, bangles that jingle, and medieval-inspired rings. We’re looking forward to seeing what fine-jewelry jungle the designer comes up with next.
Boucheron: Believe it or not, it’s been a decade since Boucheron first launched its covetable Quatre rings. Now, offspring include an all-diamond variation and cuff bracelets. The Radiant iteration comes in gold with a row of diamonds, and sober, all-gold Monochromes were on offer for those with subtler tastes. Other options include summery renditions with white ceramic “clous” (so named after the calibrated square cobblestones of the Place Vendôme). Mix-and-match stackables and solitaires round out the story.
Bulgari:In the months since Carla Bruni-Sarkozy debuted the original “summer” Diva necklace—she sported 108 carats of fancy-cut emeralds—Bulgari has been crafting a one-of-a-kind Diva for every season. The autumnal variation comes in 116 carats of moghul-cut rubellites, plus diamonds, amethysts, and mandarin garnets, while the winter version’s leaves are frosted over entirely with more than 40 carats of diamonds. Spring is still in the workshop, but it is set to be green, with mint tourmalines and peridots offset by amethysts and diamonds. Meanwhile, graphic, seventies-inflected pieces in diamonds and onyx join the Intarsio line.
Chanel: Gabrielle Chanel loved pearls—real, faux, by day, by night, for sport, you name it. But there is nothing faux, or workout-appropriate, in the brand’s latest high jewelry collection. About three-quarters of the eighty-seven pieces in Perles de Chanel—the first collection in eight years to focus on the house staple—was on display in the Chanel salon this week. And the decadent wares hit all the high notes in the Chanel lexicon: ribbons, lions, camellias, and Coromandel swallows, with pearls ranging from seed-size to gumball (mostly the latter). The colorful one-off necklace strung with five sizable Australian baroque pearls and seven varieties of precious and semiprecious stones is just one of many showstoppers.
Dauphin: Charlotte Dauphin de la Rochefoucauld, who chose her maiden name to headline her maison, makes her first foray into high jewelry this season, and her debut collection is nothing if not impressive. With a little help from friends like Paolo Roversi and Saskia de Brauw, the designer showcased a short line of “strong but light” pieces inspired by architecture—her gold and diamond rings and earrings could be the blueprints of the Eiffel Tower. Another cuff and matching necklace are an exercise in bone structure. Continue Reading “At Paris’ Haute Joaillerie Outings, a Twinkling Taste of What’s to Come” »
Serpentine accessories slithered onto the scene during Couture. Tommy Ton snapped Anna Dello Russo (above left) wearing her snake-inspired bracelets during the Paris week, while Giovanna Battaglia toted her Bulgari Serpenti bag (above right). Looking to get your own? Try Aurélie Biedermann’s twining earrings ($215, available at www.mytheresa.com), Chloé’s two-tone satchel (for information, visit www.chloe.fr), or Gaia Repossi’s black gold and pave diamond ring ($16,615, available at www.barneys.com).
The Webster co-founder Laure Heriard Dubreuil and her boyfriend, artist Aaron Young, hit Venice this week for the legendary Biennale di Venezia. For those farther than a vaporetto away from the action, she’s sending back updates on the sights and the sounds (and a few parties, too).
We started Friday at the Prada Foundation, which I found to be one of the highlights of the entire Biennale. I totally related to Maurizio Cattelan’s sculpture of an ostrich with its head in the ground (left), but I have to say—clothes being such an important element of my life—my favorite piece was Louise Bourgeois’ cell (clothes) from 1996. Walking around it, you snuck peeks through a pair of glass doors to discover a white blouse with the words “The cold of anxiety is very real” embroidered in red.
After the Foundation, I walked around the little streets with Aaron and went for a gelato. It’s a must in Italy, especially with this beautiful weather. We couldn’t resist any longer. Then onto an antique little shoemaker’s shop behind Piazza San Marco to get a pair of Gondoliers’ velvet shoes. I’d love to wear them totally worn-out in red and navy with summer dresses… (Speaking of summer dresses, there were plenty on display over the course of the festival…and none more popular among festivalgoers than Prada’s and Alaïa’s. I haven’t been anywhere for the past five days without seeing at least four or five beautiful women showing off one or the other’s Spring 2011 collections!)
From there, went to see Julian Schnabel’s show, Permanently Becoming and the Architecture of Seeing at the Museo Correr. The show was closed when we arrived but fortunately Julian arrived at the same time with Cyprien Gaillard (another artist who has a few pieces in Venice, too) and they opened the doors for us. The ballroom was completely dark when we entered, as the shutters were already closed, but Julian opened a window himself and the sunlight brought his piece El Spontaneo (for Abelardo Martinez) (1990) back to life! Continue Reading “Postcard From Venice: Laure Heriard Dubreuil Reports From The Final Days Of The Biennale” »