105 posts tagged "Balmain"
The long and bitter winter we’ve endured has brought out the inner survivalist in we editors at Style.com. And based on the influx of updated utilitarian gear we noticed on the Fall ’14 runways, the extreme conditions got designers thinking more practically, too. Alexander Wang made references to hunting, mountain climbing, and other outdoor sports with his new collection, which featured functional pockets of all sorts. His Brooklyn Navy Yard show was a parade of cargo pants, suede workwear jackets, canteen bags, and efficient shifts featuring individual compartments for Moleskine notebooks, smartphones, lipsticks, and lighters—everything his downtown customer needs to pound the pavement in style. Olivier Rousteing, meanwhile, transported us to a different kind of jungle (one stalked by Amazonian supermodels, no less) with his glam safari-inspired wares at Balmain. Surplus details also turned up at Rag & Bone, Isabel Marant, Acne Studios, and 3.1 Phillip Lim. Elsewhere, Tommy Hilfiger put his own all-American spin on the industrial trend by whipping up a series of raw denim pieces and “Marlboro Man” coats that suggested, as he told Style.com, the “real heartland America.”
These fashion-forward riffs on blue-collar uniforms will appeal to girls who’ve been rocking Carhartt jackets lately. At the very least, the spacious pockets will give us reason to forgo a purse. We’ll be ready to drop everything and run when the zombie apocalypse (or the next Polar Vortex) strikes.
For the next five days, The Outnet is running a master sale in which some pieces are up to 85 percent off. What better excuse to indulge? I’m currently lusting over Balmain’s cashmere and cotton fuchsia top (remember, fuchsia is the color for Fall ’14); Victoria Beckham’s denim pants in a dark wash (at $57, how can I resist?); Christopher Kane’s modern LBD; Pierre Hardy’s two-tone sandals; and Roksanda Ilincic’s color-blocked dress. These items will definitely get my wardrobe ready for spring.
Balmain fuchsia top, $251; Victoria Beckham denim pants, $57; Christopher Kane wool crepe dress, $379; Pierre Hardy sandals, $168; and Roksanda Ilincic dress, $341. All available at TheOutnet.com.
“We had to start with the basics,” explained FIT graduate student and curator Kristen Haggerty. She’s talking about the origins of the university’s just-launched exhibition, Beyond Rebellion: Fashioning the Biker Jacket, a study of the motorcycle jacket’s evolution from a utilitarian Schott Bros. basic, to a symbol of post-WWII rebellion, to the modern-day fashion staple. “The first Perfecto was made in 1928 and was sold by Harley-Davidson—it’s really what everyone thinks of when they think of a biker jacket,” said Haggerty, gesturing to a 1980 replica of the late twenties belted classic with an exposed zipper. “Yes, it’s a very stylish garment, but every one of those elements means something.”
The show, which opens with an in-depth examination of the iconic Perfecto, combines documentary photography, press clippings, and a tightly curated collection of original pieces to shed light on the now 80-some-year history of the moto. Wares by Helmut Lang, Rick Owens, and a particularly memorable tutu moto jacket from Comme des Garçons’ Spring 2005 outing display the many ways in which fashion designers have appropriated and interpreted the garment. “Over the years, the Perfecto became something much more than a utilitarian biker jacket,” Haggerty told Style.com. “There were times when it was pretty subversive. Modern designers [have also] really gone above and beyond. It’s a garment that can exist in two different places at the same time, and have meaning for both of them.” All one needs to do is browse a rack at Versace, Chloé, Balmain, or Saint Laurent to see what she’s talking about. The exhibition, however, will help you understand and, dare we say, appreciate it.
Beyond Rebellion will be on view at The Museum at FIT, Tuesdays through Fridays, through April 5.
We can always count on Paris for high-wattage casts, but we never expected to see so many supermodels this early in the week. None other than Gisele Bündchen kicked things off today by closing Balenciaga (the last time she set foot on a runway was Alexander Wang’s Fall ’12 show two years ago), where she was notably joined by familiar faces Mariacarla Boscono and Natasha Poly. Several hours later, Balmain continued to raise the bar with a lineup full of A-listers, including Angela Lindvall, Anja Rubik, Emily DiDonato, Izabel Goulart, and closer Rosie Huntington-Whiteley (who also walked in the label’s Spring show). Compared to those all-stars, the other major girls in the mix—Karlie Kloss, Joan Smalls, Jourdan Dunn, and Edie Campbell—all but faded into the background. And then leave it to Rick Owens to throw a wrench into the works. Following his step dancers last season, the designer turned heads again by interspersing old-school veterans such as Kirsten Owen and Diana Dondoe with real, mature women (many of whom, we’re happy to say, were not sample size). But this was no street-casting job. Rather, Owens’s casting directors, Angus Munro and Noah Shelley, told Style.com that “most of the ‘women’ were part of the Owens organization.” Owens kept it fresh by keeping it in the family. Speaking of keeping it in the family, we were pleasantly surprised to see Harry Brant follow supermodel mom Stephanie Seymour when he made his runway debut at IRFE. Sadly, his older brother, Peter Brant Jr., didn’t make the cut. There’s always next season, Peter.