97 posts tagged "Barneys"
No one likes to lose. Readers may recall that, a few weeks ago, stylist Lauren Goodman (above right) and I joined in a friendly battle of casts: Having each broken our wrists, we decided to compete to see who could turn her injury into the better fashion accessory. Votes were tallied; I had the lead at the start, but Lauren got some momentum later in the game that she rode all the way to victory. Honestly, I felt ashamed. I had the home-court advantage and everything. But rather than indulge in any Serena Williams-like tantrums, I determined to learn from Lauren’s success as we prepared to face off in Round Two of the Cast-Off: THE BRACE-OFF.
Lesson 1: Buzz counts. Lauren finished her cast early and people got interested, seeing her wear the flash plaster around. So, as soon as I got my brace from the hospital—a kind of Rick Owens-y brace, black with long straps—I delivered it to designer Camilla Stærk. She wrapped up work on it right before fashion week, and over the past few days, I’ve had two name stylists ask me if they can call it in for shoots, and several front-row regulars remark that they’d consider throwing themselves down staircases in order to wear a medical accessory that cool. (I am now thinking about launching a line of fashion medical accessories, called HEAL—Colette? Opening Ceremony? Barneys? Are you listening?) Lauren, meanwhile, had the element of surprise in her favor: Working with designer Peter Som, she only debuted her brace today…
Lesson 2: Bling that sh*t. Last time, designer Dana Lorenz covered Lauren’s cast in multicolored gemstones. Von Kottwitz designer Nina Stotler and I opted for something more industrial. Not this time! Thinking bling-y, I arranged to have my brace sponsored by Crystallized™ Swarovski Elements. I was imagining something totally disco, but Camilla, who has better taste than me, opted to cover my brace in pewter crystal pearls of various sizes. This wound up covering…
Lesson 3: Remind people of Michael Jackson. Lauren’s cast was inspired by the Christian Lacroix top seen on the first Anna Wintour-edited cover of Vogue, but lots of commenters mentioned that it seemed very Michael Jackson. And they appreciated that. Camilla, hand-sewing pewter crystal pearls until her fingers were literally bleeding, really came through on the MJ. I have to say, though, Lauren and Peter Som have maybe, possibly, trumped me on this—Peter’s angle on the people-like-dead-celebs-beacuse-they-are-reminded-of-their-childhood thing was to make Lauren’s brace “a tribute to John Hughes.” Pretty in Pain! Dammit.
Lesson 4: Art-direct. This really should have been obvious—I do work in fashion, after all. Lauren got off a cute little shot of herself posing with her cast. I went for the camera phone. And I wasn’t even in the photo! People vote on personal connection, I see now. And images that pop. Camilla’s husband, the photographer Barnaby Roper, obliged my concept “sci-fi Birth of Venus, with wrist brace,” as you can see (and judge) for yourself. Again, I was positive I had Lauren on this one—I knew she was racing around to shows and that Peter was prepping his collection and that there was no way they’d be able to work a seriously pro photo into their schedules. Laughs on me, folks. Lauren managed to corner Poppy de Villeneuve, mere hours before the photog hopped a flight to London to set up her show STILL, which opens on Thursday, and got a pretty amazing portrait out of her.
Lesson 5: Flatter the audience. Vote for me, and I will love you forever. Lauren and I await your comments…
If you were asked to rattle off New York’s great shopping neighborhoods, the Bowery might not make it into your top five. But for Fashion’s Night Out, Rogan Gregory, who opened his second boutique inside the Bouwerie Lane Theater last year, is aiming to change that. “It’s got a good collection of stores,” explained Gregory over the phone. “There’s Maria Cornejo, Partners & Spade; the bookshop across the street [Dashwood] is amazing. We’re kind of in the middle of everything on that corner, so we felt some obligation to get everyone together.” Gregory and his team created a handy little map in the label’s neo-constructivist style that includes all of the above, as well as The Smile, Oak, John Derian, and Bellhaus, which will be hosting Vogue alumni-turned-designers that night. You can flip the map over for details of what’s happening where. Also in the spirit of synergy, Rogan’s store will stock a curated selection from relatively under-the-radar designers like Risto, Matohu, Ajna, and Salvor. Gregory himself will be starting the evening at Barneys on Madison Ave.for a Loomstate event, but will migrate downtown for the many planned events at his store—a showing of rare footage from Albert Maysles and a performance by band Cold Cave—and to just be where his heart is. “The Bowery’s got a lot of soul, cultural soul,” he says. “It’s not just another area.” To download the map go to www.rogannyc.com.
He’s a former director of sales at Oliver Peoples, she ran the sales and merchandising team at Thakoon. Together Adam and Kara Mendelsohn and their partner Dave Barton have launched KBL, a new line of wire-frame sunglasses that just might give Ray-Ban a run for its money. Economy-wise, experts are saying the worst could be over, but the days of $400 and $500 shades may be gone for good. At least that’s what this husband-wife duo figured. KBL’s aviators retail in that Ray-Ban/Carrera sweet spot of $110 to $135. But these sunglasses have plenty going for them beyond their nice price. They’re built like much more expensive eyewear, with milled frames and distortion-free/shatter-resistant lenses that block nearly 100 percent of UVA, UVB, and UVC rays. Even better, they’re inspired by vintage guitars (Adam’s a bass player) and come in eye-catching shades of metallic candy apple red, shell pink, and our favorite, surf green. The collection will be sold at Barneys Co-op, Kirna Zabête, and Otte. For more information, visit www.kbleyewear.com. Plastic frames are on the agenda for Spring 2010.
As we shot our video last week with Hussein Chalayan and J Brand’s Susie Crippen, it was clear that the designing duo had forged a solid (and jokey-familiar) fashion friendship. That is, of course, along with a trio of jeans that marry the near-fetishistic simplicity of J Brand with Chalayan’s penchant for conceptual and clever cuts. “When things in life that are perceived as avant-garde become much more accessible, I think you’re in a real kind of exciting situation,” said Chalayan, sitting on the eighth floor of Barneys as intrigued customers browsed the merch and even asked Crippen about sizes. (She tried gamely to help, but eventually flagged down a salesperson.) Of course, we still love to watch over and over again highlights from some of Chalayan’s past dramatic show moments. After all, what fashion obsessive can resist those electrifying moments of runway theater? Though the designer is quick to point out, “That’s only the end of the show. There are tons of clothes that come before that.” Click here to see Chalayan and Crippen in action.
If you spend enough time with designers, you quickly realize that many of them can’t resist test-driving the wares on which they’re currently working. In terms of fashion’s time-space continuum, that means they’re wearing today what they’ll be selling to you a year from now. At her first official trunk show last night at Tribeca’s Renwick Gallery—a double billing with her friend Megan Marrin’s jewelry line M. Graves—the talented young bag lady Katherine Fleming had such a piece tucked under her arm: a slightly oversized envelope in navy snake streaked with gray stripes. Season: Spring 2010. Fleming happily spilled that it will be priced very reasonably for an exotic skin—around $500. (I would definitely put that trip to Barneys or Opening Ceremony on your calendar!) In fact, Fleming’s upcoming spring range will feature quite a few pieces hovering around that sweet spot price, and without forsaking quality, either. “I’m still making everything in Italy,” Fleming explained. “I think it’s still possible to do that. I don’t want to move to China like everyone else.” Into the more distant future for Fleming is footwear. “I’m dying to do shoes,” she said. “But we want to wait until we’re in the right place and have the right partner.” Though that hasn’t stopped the shoe obsessive from sketching her interlocking-K logo into teetering sandals. But who designed the bondage-y black pair she wore last night with her ultrachic navy Marc Jacobs dress? “They’re from Zara,” she confessed, having bought them while in Florence for her Parsons’ schoolmates Jack McCollough and Lazaro Hernandez’s show at Pitti W. “I’ve never gotten so many compliments on a pair of shoes,” Fleming added. “Even Lazaro asked me about them.”