64 posts tagged "Bergdorf Goodman"
Paige Novick may be known for her bold, architectural costume collection, but it’s her new fine jewelry venture, cleverly dubbed Phyne, that’s inspiring her to dig deep into her design DNA. “I saw an opportunity in creating everyday, versatile jewelry that would allow the self-purchasing woman to individualize her look in an effortless way,” Novick said of her decision to launch Phyne. While the same hand is evident in both collections, Novick’s sleek, over-100-piece range adds a more feminine and delicate touch to her signature, often geometric offerings.
Having debuted her costume line in 2008, Novick (who currently sells at heavy-hitting retailers like Bergdorf Goodman, Neiman Marcus, and Intermix) is no new kid on the block. But that doesn’t mean the latest venture was easy. “The perceived value has to be the prevailing factor when creating each piece of the collection,” Novick said, referring to the higher stakes that gold and diamonds bring to the table. Her design process entails visualizing each piece from all angles before beginning to create the actual model. It’s a method that seems to be working for Novick. The new rose, black, and yellow gold baubles—all of which are covered with diamonds or inlaid with opal, labradorite, or mother-of-pearl—boast a covetable balance between of-the-moment relevance and timeless design. And from the jointed cage rings to slick triangle cuff, the line offers an easy elegance that will appeal to a wide range of discerning women.
Phyne is available now at Saks Fifth Avenue and Fivestory. Prices range from $900 to $12,000.
“Our cover situation is drastic…We are on the verge of a drastic emergency.” So reads the first entry in the latest Diana Vreeland tome, Memos: The Vogue Years. Compiled by Vreeland’s grandson Alexander (the husband of Lisa Immordino Vreeland, who directed The Eye Has to Travel), the book features more than 250 of Vreeland’s infamous notes from her time at Vogue, which she’d dictate over the phone to her secretary while puffing on cigarettes in a wicker chair in the bathroom of her Park Avenue apartment. This, Alexander told us, was her preferred mode of communication. “She didn’t believe in meetings,” he said. His assertion is backed up by Diana’s memo to the Vogue team on page fifty-nine, in which she considers holding a meeting about the “controversial” topic of dress lengths, but resolves, “Usually, when we have meetings, we don’t get ideas and views from people.”
But it wasn’t just her staff whom she’d confront about everything from the importance of pearls and bangles to her annoyance with the mistreatment of her initials in her editor’s letter (above), to the necessity that Vogue‘s spreads “never, ever copy…any kind of coiffure that is reminiscent of the 30s, 40s, 50s,” via her rapier dictations. The book—which is available now from Rizzoli—also includes her correspondences with the likes of Richard (or Dick, as she called him) Avedon, Irving Penn (to whom she complains about lackluster tulips), Cecil Beaton, Cristobal Balenciaga (above), Halston, Veruschka, and beyond. Continue Reading “Did You Get The Memo? Diana Vreeland In Her Own Words” »
Naming your label Road to Awe sets the bar pretty high. And Eli Azran and David Rimokh—the founders of the new L.A.-based denim and leathers brand launched under that moniker—vow to live up to those lofty expectations. “Road to Awe is a constant journey to perfection,” said the French-born Azran who, at 27, already has experience running three successful denim-centric lines. And while they’re both young (Rimokh, an L.A. native whose expertise lies in accessories and denim, is 26), the duo has demonstrated some serious business savvy. RtA’s first collection, which comprises an expansive range of highly developed washes and leather styles, focuses only on bottoms. For Spring '14, they’ll shine the spotlight on leather jackets and tops, and by Fall '14, the pair will have developed a complete collection. “In today’s market, it’s much easier to launch half a brand first,” explained Azran. “Then, by next fall, both categories will have launched properly, and we’ll be able to go full force.”
With the help of West Coast retail fixture Evelyn Ungvari—whose role, explains Azran, is to bring a feminine touch to the range—the business partners have turned out second-skin denim with unique pigments, coatings, and finishes (see the lacquered, bleached pair above), as well as a series of appealingly priced leather trousers (they start at $595). Fabrics are sourced from Japan, Turkey, and France, and all the wares are produced in L.A. (in fact, when we spoke to the duo, they were walking through one of their local factories). The concept behind the new line—which, quite impressively, has already been picked up by Bergdorf Goodman, Curve, and Ron Herman—is to create pieces with an authentic, vintage feel that cater to women’s everyday desires. “Some brands are so focused on their direction and vision that they ultimately forget what girls want,” offered Azran. And what do women want, exactly? “Simplicity,” he said. Rimokh chimed in. “The more we try to find out what women want, the less we know. That’s why we stick with simplicity.” Smart. And while we’re not sure that all women crave the simple life—it depends on who you ask, really—we have a feeling that lots of ladies will want to buy what these boys are selling.
RtA’s debut collection ranges from $165 to $1100 and is available at Bergdorf Goodman from today.
Nick Wooster’s dandyish look has long mesmerized menswear show-goers. With his handlebar mustache, tattoo sleeves, and eclectic outfits (like the embroidered shorts, relaxed blazer, and snazzy leopard Celine shoes he wore during this week’s Pitti fair, above), he’s crafted an aesthetic that’s uniquely his own. Having served as the mennswear fashion director at Bergdorf Goodman, as well as the menswear creative director at JC Penney (a post he left in April of this year), Wooster is not only catnip for street style paps, but a seasoned industry expert. Here, the man talks to Style.com about Pitti, the state of menswear, and his plans for the future.
When did you first start coming to Pitti?
I did my first Pitti in January of 1988.
What’s changed since then
Absolutely nothing. Well, actually, in a certain way, nothing has changed, and then obviously, everything has. The heart of Pitti has always been the same. Look at someone like Lino or Peter Rizzo, who was the person who brought me to my first Pitti. He still comes, and so many of the players are the same. I think that’s the story of menswear, the story of Italy, and the story of Pitti.
You’re known for your personal style. Do you turn it up for the shows?
No. I mean, at the end of the day, I’ve always felt the need and desire to be different. The worst part for me is figuring out what I’m going to bring. I brought twice as much as I’m going to need so there’s always a bit of a problem in the morning, like, “Shit what am I going to wear?” But that’s the story of my life. I never know what I’m going to wear until I get out of the shower. Continue Reading “A Man’s World: Nick Wooster Talks Pitti” »