50 posts tagged "Bottega Veneta"
With the haute couture, menswear, and Resort shows finally wrapping up this week, high summer is officially here—just in time for the fashion set to enjoy the long holiday weekend ahead. To celebrate, many will be taking off for vacation destination spots and breaking out their statement-making bathing suits for the shore or the pool. While there were plenty of crop tops, bikinis, and sporty rash guards in the latest pre-spring lineups, it was the sophisticated maillots (no cover-ups required) in the mix that really piqued our interest. Classic, flattering one-pieces turned up at Chanel, Dior, Dion Lee, and Bottega Veneta, while designers including Jason Wu, Emilio Pucci’s Peter Dundas, and the Cushnie et Ochs girls turned up the heat with sexy cutouts. Unfortunately, these water-ready numbers won’t be hitting stores until the new deliveries arrive this fall, but they’ll give us ideas for the balmy months ahead.
For the past few years, Bottega Veneta designer Tomas Maier has taken an artistic approach to his campaigns, tapping multidisciplinary photographers such as Nan Goldin, Nick Knight, Annie Leibovitz, Jack Pierson, Peter Lindbergh, and more to bring a dynamic edge to his ads. Dubbed the Art of Collaboration, the project continues this season, with Maier commissioning New York-based artist Ralph Gibson to lens the Fall ’13 campaign. Best known for his eerie images with erotic undertones, Gibson turned out a series of moody snaps for the Italian house. His high-impact shots, which star Fall ’13 show-opener Raquel Zimmermann, debut above, exclusively on Style.com.
Flipping an age-old adage on its glittering axis, designers have proposed diamonds—the shape, though, not the gemstone—as a Spring ’14 menswear motif. Both Ports 1961 and Giorgio Armani sent forth abstract, faded parallelograms—the former on a cream-colored bomber, the latter by means of spray-painted T-shirts. Yet the strongest use of the shape came on knitwear. Tomas Maier, for example, offered a heather-gray jumper with a repeating diamond pattern in his midcentury mash-up for Bottega Veneta (above, left). Donatella Versace paneled a navy, Medusa-buttoned cardigan in delicate rhombuses (above, center). And lastly, London’s Peter Jensen rendered a vermillion paragon on an ice-blue jumper, knit from ultrafine U.K. yarns (above, right). “There’s a whole playing card intarsia story in my collection,” Jensen told Style.com, noting his use of hearts, spades, and clubs, too. But the diamond may be his favorite. “It’s about time that diamonds become a boy’s best friend,” he said.
Coach has named its new executive creative director and, somewhat unsurprisingly, it’s not Marc Jacobs. Rather, Stuart Vevers, formerly the creative director of Spanish house Loewe, got the gig, replacing Reed Krakoff, who, two months ago, announced that he would be leaving the company in June 2014 to focus on his eponymous collection. “Stuart is recognized as one of the world’s leading accessories designers,” Coach president and chief commercial officer Victor Luis told WWD. “His passion, leadership skills, and broad luxury brand experience, focused on leather goods, uniquely qualify him to lead the next chapter of Coach,” Indeed, Vevers—who will be in charge of all creative aspects of the brand—has a wealth of hit-handbag experience. Before heading to Loewe in 2008, he held positions at Bottega Veneta, Givenchy, Calvin Klein, and Louis Vuitton, each of which have strong accessories ranges. The English designer also won the British Fashion Council’s Accessory Designer of the Year award in 2006 while working as the creative director of Mulberry, a role that he held from 2005 to 2008.
Furthering his long-standing penchant for artist collaborations (cue everyone from Erwin Olaf to Nan Goldin), Bottega Veneta’s Tomas Maier has tapped Nancy Lorenz to create her third project for the brand—a series of decorative boxes that will be displayed at next week’s Salone del Mobile in Milan. Entitled Skies and Beyond, the twenty-five-edition capsule is comprised entirely of one-offs—eccentric objets d’art rendered in blackened silver, palladium, and moon gold leaf. Lorenz is heralded for blending postwar abstractionism with the craftsmanship inherent in Asian art. She spent five years in Tokyo, where she learned to use industrial elements like lacquer in painterly ways. “I appreciate her refined technique, textural work, and overall artistic sensibility,” said Maier. The boxes capture an intersection of East and West—pewter grooves on one mirror hearken back to the raked sand in bonsai gardens, while the scratched mother-of-pearl on another invokes centuries-old Italian marble.
Skies and Beyond will be available for purchase through skiesandbeyond.bottegaveneta.com starting tomorrow. Each piece is priced at €5,000, or $6428.50 at the current exchange.