41 posts tagged "Cara Delevingne"
If its recent campaigns are any indication, Burberry is seldom short on star power. Cara Delevingne, Emma Watson, and Romeo Beckham have all posed for the label, and today it can add Sienna Miller and fiancé Tom Sturridge to its list of famous faces. Lensed by Mario Testino, the house’s Fall ’13 ads depict the pair cuddling and kissing in Burberry’s new wares. A behind-the-scenes image of Miss Miller debuts above, and below we bring you a campaign snap of the cuddly couple. Continue Reading “Burberry’s Starry Smooch” »
Hedi Slimane’s latest brick in the rebuilt house of Saint Laurent is now in place: As of this afternoon, the label’s first downtown store is open on Soho’s Greene Street. Saint Laurent (né Yves) has long had a presence on East 57th Street, which it maintains, but under Slimane, the direction has gone decidedly, as the marketers say, “downtown.” As one on-message Saint Laurent exec said, shrugging, at a preview this morning: “Some of my friends don’t ever make it as far as 57th Street.”
Soho feels right for the new Saint Laurent, and the 4,000-square-foot space has the look and feel of an open-plan photo studio—all light and space and monitors displaying Slimane’s campaigns—with many original details intact, from the tin ceiling to the structural columns. (The store sits in the Soho-Cast Iron Historic District, and if you believe in retail mojo, was Helmut Lang’s New York outpost in the good old days.) Bags and shoes line the marble shelves on the walls: mostly new standards like the Duffle, the Sac de Jour, and the Betty, but with a few best-selling leftovers from earlier days, too, such as the Cabas Chyc bag and the Tribute and Trib Too heels. Slimane himself picked the high-minded vintage furniture that decks out the space (by Jean Prouvé, Marcel Breuer, et al.), customized the playlist (Richard Hell and Nirvana as of this morning), and designed all the fixtures. I can personally vouch that his new collections hang on them, despite their absence above. They include not only the Spring line but select previews of pre-fall available for pre-order, which tend toward the unstintingly luxurious. For men, there are the sequined jackets worn by Daft Punk in Slimane’s photos; for women, the embellished baby-doll dress worn by Cara Delevingne in the new ad campaign. It will run you a cool $68,000. But as spaces to consider such a life-altering purchase go, the new store is very good.
Saint Laurent Paris is now open at 80 Greene Street, NYC, ysl.com.
Following the much-discussed opening of its Avenue Montaigne boutique earlier this month, Saint Laurent is set to bow a new Manhattan location on Greene Street this Monday. Naturally, the Deco-themed Soho space will be kitted out with Slimane signatures such as white marble and mirrored brass. Leading up to the store’s unveiling, we’re revealing some Slimane-lensed shots of Cara Delevingne and Cole Smith from Saint Laurent’s Fall ’13 campaign. The heady snaps debut above, exclusively on Style.com.
Saint Laurent’s new store opens on Monday, June 3, and is located at 80 Greene Street, New York, NY 10014
The Karl caravan has arrived in Singapore. Lagerfeld and forty-seven models are set up at the city’s famous Raffles Hotel, the gorgeous nineteenth-century English-colonial hotel, with enough hardworking dressers, stylists, and global PR reps attending them to put you in mind of a postcolonial Downton Abbey. Today, they’ll put on Chanel’s Cruise show. But last night, it was a party for a prelude: a pair of short films, screened alfresco in the hotel courtyard, beside which Maugham and Hemingway sat in the Long Bar, sipping Singapore Slings.
Leave it to Lagerfeld to make not one, but two films. The preview and the movie: They just go together, he explained. So Women Only featured a raft of his favorite girls—Kati, Cara, Lindsey, Lina, Xiao Wen, Soo Joo, et al., all clad in Chanel Pre-Fall—piling into a movie theater for the debut of a new film. Then the film within the film: Naturally, it’s a little number by Lagerfeld. Once Upon a Time… takes us back a century, to the opening of Gabrielle Chanel’s shop in the French resort town of Deauville. It opens with a scene of two servant girls impugning the name of Chanel. “Who is Gabrielle Chanel?” they wonder as they wander past her shop. “I don’t know, but she has no taste.”
But he who laughs last laughs best. Business starts out slow for Coco Chanel (Keira Knightley, absent from this Singaporean affair, on her honeymoon) and her partner/confidante Aunt Adrienne (Clotilde Hesme), but the crème de la crème of Riviera society eventually come swishing through her door. That Chanel girl, the consensus eventually runs, she’s really got something.
So does her latter-day inheritor, Karl Lagerfeld. “I did everything,” Lagerfeld said after the applause had died down. “I designed the set, I made the costumes, I made the characters, I made the dialogue. I make everything—otherwise, I’m not interested. I could never work with somebody who makes the dialogue, because I want them to talk the way I’m thinking.” He built a town from scratch—the whole thing was shot at a Paris film studio—and assembled a cast of thousands. (Well, 160 extras, at least; but as Hesme laughed, “I think the budget is much larger than the film I did before.”) And he bravely tossed the book out and shot without a script, calling out lines just before takes and encouraging his actresses to improvise. A task like that separates the wheat from the chaff. And who knows, some stars may have been born. Lagerfeld saved special mention for Ashleigh Good, who played the Swedish actress Jacqueline Forzane, and he wasn’t the only one. “Keira was impressed by Ashleigh,” he said gravely. As for others—well, the catwalk is a fine consolation.
Lagerfeld is as new to filmmaking as many of his actresses, but Karl’s gals—out in force tonight to celebrate—were full of praise for their fledgling director. “It was great fun—it was a giant playground,” said Stella Tennant, fresh into town from the Met Gala, who played Lady de Grey, Oscar Wilde’s patroness. “He’s very fresh,” added Caroline de Maigret, who played the towering Russian ballerina Ida Rubinstein. (Lagerfeld made her even more towering by dismissing all but the shortest extras for her scene.) “He’s very enthusiastic, excited. He’s laughing, ‘Ah, brilliant, brilliant!’
“He gets excited by everything he doesn’t know,” she declared, stubbing out her cigarette—usually a hot-button issue in law-abiding Singapore, but Karl’s night, Karl’s rules. “That’s his power. That’s what drives him, the unknown.”
Earlier this month, Karl Lagerfeld revealed his capsule range for accessible Brazilian “jelly” shoe brand, Melissa, via a campaign starring Cara Delevingne. The Lagerfeld-lensed images, which depict Ms. Delevingne as a leather-clad bondage dominatrix, stirred up the requisite buzz. And last night, at the label’s Soho boutique, the wares made their much-anticipated New York debut. Featuring a range of pointy plastic flats and sparkly ice-cream-cone-heeled pumps, all of which are fruit scented, the collection boasted a subversive, but almost silly sex appeal. Naturally, this was only enhanced by Lagerfeld’s snaps, which were displayed at yesterday’s fête. “The shoes are amazing, and they smell so good,” offered Delevingne. “In one of the photos, I’m drinking Champagne out of them, so I got to know them pretty well.”
Since launching over thirty years ago, Melissa has worked with some pretty impressive collaborators—Jean Paul Gaultier, Vivienne Westwood, and Jason Wu among them. On hand to discuss the latest joint effort was Melissa’s US CEO, Michele Levy, who noted that Lagerfeld “wanted to capture who we are.” (However, the photo shoot, she affirmed, was “Karl’s touch.”) “We are a Brazilian brand, although we’re in 71 countries, and he wanted to embrace that spirit.” One pair of pumps shown in the colors of the country’s flag was particularly patriotic. Continue Reading “Plastic Fantastic: Melissa + Karl Lagerfeld” »