30 posts tagged "Carey Mulligan"
“Hats are always important. Full stop,” said costume designer Catherine Martin when asked about the elaborate chapeaux featured in Baz Lurhmann’s The Great Gatsby. “I think that one of the things that defines the period is evening headwear. Hats enhance the characters, create an otherworldliness, and help the audience understand that we’re in a time other than our own.” In order to fully realize Gatsby‘s sartorial Jazz Age fantasy, Martin enlisted Sydney-based milliner Rosie Boylan to create cloches, boaters, and beyond for Daisy and co. Boylan, who has worked with Martin and Lurhmann since making headpieces for Moulin Rouge in 2000, has been crafting hats for over thirty years. Here, she talks to Style.com about designing for Gatsby, pushing historical boundaries, and how to pull off a twenties topper.
Can you give us an idea of the range of hats we’ll see in The Great Gatsby?
There are about one thousand hats in the movie. Baz and Catherine love hats. For the men, there are a lot of boaters and caps and homburgs, which were a high-crowned men’s felt hat that was introduced by Prince Edward in the twenties. But we were primarily making women’s headwear. And that was mainly cloches and then the explosive party headwear that reflects the spirit of the Gatsby story. There were about 250 party headpieces, and we styled them to compliment each individual actor’s face. Every headpiece was made for a particular person.
How do the hats in Gatsby help improve our understanding of the characters?
When Catherine and I are working, it’s not only about making a period fashion statement. It’s about the character. I need to know what is happening and what they’re feeling and that helps me to create something that speaks to the storyline, the character, and the mood at that particular moment. Take Daisy, for example. She is always dressed in pale colors and she wears lots of soft floaty garments. Her headwear is very refined, highly crafted, very expensive, but always reflective of the fact that she is a delicate flower. I love the hat Carey Mulligan wears at the end of the film when she’s leaving town. She’s with Tom at the train station, it’s almost fall, and she’s got her felt hat on. It’s quite restrained but very beautiful and there’s lot of, I suppose, sadness. Continue Reading “From the Top: Milliner Rosie Boylan on the hats of Gatsby” »
“I believe, by definition, that jewelry is a very personal thing,” Jennifer Meyer says. That sentiment is apparent in the CFDA/Vogue Fashion Fund runner-up’s new collection of diamond-and-gold arrow and custom-engraved ID cuffs, which launches this week exclusively at Barneys. While accompanying husband Tobey Maguire to the Sydney set of The Great Gatsby last year, the designer was influenced by the statement baubles that star Carey Mulligan wore with her costumes. “There was an abundance of beautiful classic pieces with a touch of personalization,” she said. “You could tell a lot of thought went into the characters and what they wore.”
Meyer, who has been nominated for this year’s Swarovski Award for Accessory Design, describes the new range as classic with an edge. “I just started with a trillion diamonds and custom-cut stones,” the L.A.-based designer says of the wares, which reference the Chrysler Building. While remaining true to her West Coast roots, Meyer’s trajectory has been deliberate, developing her identity while still tending to her collection with a delicate hand. As for her future plans, she tells Style.com, “I am continuing to love working with custom-cut stones and adding bigger, bolder pieces into the collection.”
“We needed to find a way of translating the twenties into something that felt as new and modern and titillating as it was back in 1922,” said Catherine Martin—the designer behind the costumes for husband Baz Luhrmann’s upcoming The Great Gatsby film—during an intimate Q&A with Harold Koda at the Met yesterday evening. If there’s anything that can reignite the Jazz Age’s mystique, it’s Martin’s wares, which are at once painstakingly historically accurate (aside from a zipper here and there) and completely enchanting. The film, which opens on May 10 and stars Leonardo DiCaprio as Gatsby, Tobey Maguire as Nick Carraway, and Carey Mulligan as Daisy Buchanan, boasts such fantasies as feathered frocks worn by the Fitzgerald-penned tale’s “girls in twin yellow dresses” (the looks were inspired by an actual twenties-era vaudevillian act), hordes of boater hats by Rosie Boylan, wigs made in England, and beach pajamas (for the elusive Jordan Baker).
Luhrmann and Martin’s fondness for Schiaparelli (the pair worked on the film for the Met’s Schiaparelli and Prada: Impossible Conversations exhibition), lent a surreal edge to the story’s infamous party scene. “Baz kept saying, ‘We need a lobster!’” recalled Martin. And he got one—the costumer crafted metallic crustacean headpieces for the showgirls at Gatsby’s raucous soiree (below). Continue Reading “Catherine Martin Talks Gatsby” »
Baz Luhrmann’s long-awaited adaptation of The Great Gatsby, with Leonardo DiCaprio, Carey Mulligan, and Tobey Maguire, will open the 66th Cannes Film Festival, it was confirmed today. It’s a spiritual return to the area for Fitzgerald, who wrote some of his greatest work on the Riviera, and an actual one for Luhrmann, whose first film, Strictly Ballroom, screened at the Festival some 21 years ago. (His Moulin Rouge! opened Cannes, too.) Expect Prada on the red carpet—not only is Mulligan a favorite of the house, Miuccia Prada also worked with the costume designer, Catherine Martin, on some of the film’s looks.
Chef Marcus Samuelsson has a string of impressive accolades for his achievements in the food world, ranging from multiple honors from the James Beard Foundation to becoming the youngest chef ever to get two three-star reviews from The New York Times to beating out 21 other chefs in Bravo’s Top Chef Masters competition. But the New York-based chef has got fashion cred to match—Samuelsson made Vanity Fair‘s International Best Dressed List last year, along with Kate Middleton, Tilda Swinton, and Carey Mulligan. He was also hand-selected by Bono and Ali Hewson to star in their Fall ’11 menswear campaign for their clothing line Edun. (Fittingly, Bono and Hewson hosted the party to celebrate the campaign launch at Samuelsson’s Harlem restaurant Red Rooster. Trust us, fashion folk made an exception to their juice cleanse diets that night to try some of his award-winning comfort food.)
Over the weekend, Samuelsson guest-cooked a four-course dinner at Sole East Resort’s The Backyard Restaurant in Montauk to celebrate his latest accomplishment, his memoir Yes, Chef. The book chronicles his incredible journey, from becoming orphaned in Ethiopia at a very young age to growing up in Sweden (where he learned to cook from his new grandma Helga) to cooking President Obama’s first State Dinner. Samuelsson took a break from the kitchen (where he was cooking up gravlax, striped bass, berbere roasted chicken, and more—all dishes he writes about in his tale) to talk with Style.com about the tome, his personal style, and his thoughts on the relationship between food and fashion.
What has the response been to the book so far?
The other night we did a dinner at Red Rooster so people could have a dialogue about the book. So many people are interested and excited about it. Whether they are chefs or not, I just want people to identify with it. When you cook recipes from a book like we did at Red Rooster and at the Sole East dinner, it is so interesting to get other people’s take on it [the book] and I also think they get a richer experience tasting the food and flavors mentioned in my story.
What food in particular holds the most sentimental value to you?
Meatballs, for me, will always remind me of being 7 years old and cooking them with my grandmother. It is not the fanciest, but it was a taste that was with me until I came back to Ethiopia.
The relationship between food and fashion has always been an interesting one. What do you think about that relationship?
I think there are a lot of similarities. You have to travel if you want to be a great designer or a great chef. You have to work for a big chef, you have to work for a big designer for a while before you go do your own thing. I have a lot of designer friends, like Jason Wu, and it is the love of the craft that we share. Real designers do it for the love of the craft and the same thing with chefs—they would cook regardless.
Continue Reading “Marcus Samuelsson, Food’s Most Fashionable Man” »