63 posts tagged "Carine Roitfeld"
On a list of things that seemingly do not go together, Karl Lagerfeld and infants would rank pretty high. And yet this footage of the famously stone-faced “Uncle Karl” pushing Romy—Julia Restoin Roitfeld’s daughter—around in a stroller might just be one of the best things we’ve ever seen. Pulled from Fabien Constant’s forthcoming Carine Roitfeld documentary, Mademoiselle C, the clip shows the Kaiser taking a quick spin and weighing in on breast-feeding.
In honor of Karl’s 80th birthday, we’re bringing you the video’s exclusive debut. For more candid moments from fashion heavyweights, catch Mademoiselle C when it hits theaters on September 11.
If Carine Roitfeld has proven anything in her three decades in the fashion game, it’s that she’s a master of reinvention—of both herself and others. All one needs to do is look at her latest CR Fashion Book cover—which features reality-TV-star-turned-quasi-fashion-world fascination Kim Kardashian showing off a gilded grill—to see that. The editor, stylist, and consultant, who left her decade-long post as editor in chief of Paris Vogue in 2011 only to launch her abovementioned biannual publication to much fanfare in New York a year later, is the subject of Fabien Constant’s new documentary, Mademoiselle C. The film, which debuted in New York last night, chronicles the making of the inaugural issue of Roitfeld’s magazine and offers an intimate look into the life of the editor. “I was very surprised when I saw the film for the first time,” Roitfeld told us, donning a youthful Céline crop top and Miu Miu denim skirt. “I didn’t imagine it would be so personal. You see everything—my family, my kids, my husband, my apartment, my [dance] lessons, and this was very difficult.” We have to say, though, it was refreshing to see the editor—who’s famed for working with everyone from Karl Lagerfeld and Tom Ford to Bruce Weber and Mario Testino—behave so candidly in front of the camera. Style.com caught up with Roitfeld prior to the film’s premiere to talk life after Vogue, Nicolas Ghesquière, the future of fashion, and what it means to be sexy.
Before I turned on my recorder, you were talking about how much you admire Coco Chanel. Why is that?
She came back to work at almost 70 years old, and she came back as a success, and America was the first country to welcome her. France didn’t. They always say, you’re never a king or a queen in your own country.
Is that why you came to New York to launch CR Fashion Book? Do you feel like the Americans made you a “queen”?
I think America was very nice with me, because the day I finished Paris Vogue, I immediately got a phone call from America. Once you’re in New York, you jump. Paris is mostly retired people—I love it, and it’s a beautiful city, but it’s quite slow. In New York, you can do anything—you can shoot on Sundays, you can shoot at night, you can get a pink dog, everything you want is possible. It’s like Jay-Z’s song about the Big Apple—you never stop.
Do you miss being the editor in chief of Paris Vogue?
No. I still like the title. I think it’s a magical title, and there was a Vogue before me, there will be a Vogue after me. I have no regrets. Ten years is quite long. Otherwise, you stay forever, and you settle into office life, and I don’t like office life. It’s difficult to do things on your own, but I think it’s very exciting, and everyone says, oh, you look younger than before, and it’s just because I’m learning more.
Do you think that Emmanuelle Alt is taking Paris Vogue in the right direction?
I will not look at it. It’s her thing. It’s totally different. I don’t want to compare and I don’t want to judge. I’m over this now, you know? I do my own thing, and it takes me enough time, enough energy, I’m not here to criticize. I don’t care. I have so many projects—I’ve become a cover girl and a grandma at the same time. I have so many exciting things in my life. I don’t need to look back.
Before you launched CR Fashion Book, there were rumors that you weren’t on the best of terms with Nicolas Ghesquière. What’s your relationship like with him now?
This is the bullshit of politics in fashion. I’ve never had a problem with Nicolas. I just sent him a text and said, “I miss you!” I’ve known him since the very beginning. I think he’s the most talented person in fashion. He’s very, very smart. I’m sure he’s coming back, and I hope it’s very soon, because we miss him. And I think he’s going to surprise everyone. There are not so many big talents today, and he’s one of them.
Inevitably, Mademoiselle C is going to be compared to The September Issue, and you to Anna Wintour. How do you feel about being compared to her?
I was compared to Anna for many years. But I worked with her. I was working for her, and I think she’s a very tough woman, but she’s very honest. She’s a hard worker, and she and Grace [Coddington] have a lot of passion. And you feel passion in Mademoiselle C, too. Totally different, though. Vogue is the biggest magazine in the world; they have a lot of money. For our first issue, we had four people doing the magazine, but we have the same passion. Continue Reading “Carine Roitfeld Opens the Book” »
Style.com contributing editor and party reporter Darrell Hartman circles the city and, occasionally, the globe in the line of duty. In a regular column, he reports on the topics—whatever they may be at whatever given moment—that are stirring the social set.
“Yes, the lad was premature,” goes a line from The Picture of Dorian Gray. “He was gathering his harvest while it was yet spring.”
I doubt I’m the first person who has, upon meeting Dorian Grinspan, thought of Oscar Wilde’s fable about precious youth. This Dorian is real. The 20-year-old founder and editor Out of Order magazine, he’s been sowing his seeds early—and some of the fashion world’s biggest influencers are taking notice.
Grinspan was born in Paris and came to the U.S. to study at Yale. But while an earlier generation might’ve chosen to wait for a diploma before launching into the world, Grinspan didn’t see the point. “I didn’t come [to the U.S.] wanting to do a magazine. I arrived at Yale and I was really, really bored,” he told Women’s Wear Daily. [Full disclosure: this reporter spent four years at Yale, and did not find it boring.] Grinspan will start his senior year in the Fall, majoring in American Studies, but he recently took an apartment in New York, and says that thanks to some Franco-esque schedule jiggering will be spending just three days a week in New Haven.
Youth these days! Grinspan is already a darling of the industry. WWD is only one of several publications to anoint him an up-and-comer, and his biannual is already carried by the likes of Opening Ceremony and Colette, and the second issue, which Grinspan launched last week, boasts the sort of top-shelf contributors of which many start-up outlets dream. Among the photo credits and profile subjects are Larry Clark, Ryan McGinley, and Olivier Theyskens. These are gets worth bragging about, even if Grinspan is modest, or at least PR-savvy, enough not to. “It’s actually funny to see how accessible these people are and how much they want to help,” he told me at last week’s launch party at Fivestory, an uptown boutique. (His fashion-model looks—literally, as in repped by DNA—aren’t the reason, but surely they can’t hurt.) Gus Van Sant, he added, had been “really interested, and we almost shot something,” but the scheduling hadn’t worked out.
Grinspan has plenty more influential supporters, including fellow editors. “Stephen Gan has been amazing to me,” he said. And after meeting Stefano Tonchi at a party in Cannes last year, Grinspan appeared in W this spring. Starting in the fall, he said, he’ll be writing for the magazine’s website. Quick work. For a moment, Grinspan did pay some dues—as an intern for Carine Roitfeld. Among the people met while working there was photographer Michael Avedon, who shot a story for the new issue. (Avedon is just a year older than Grinspan, and the great-grandson of Richard.)
Grinspan holds himself well—and tends to do so in the right company. Cynthia Rowley, who hosted an after-party of sorts for the magazine at her boutique-cum-sweet-shop, Curious, couldn’t exactly remember how she’d first met him. She was pretty sure his boyfriend had interned at her husband’s gallery. In any case, Rowley said, she’d gotten to know him through “the Brant kids.”
How has Grinspan done it, in an industry with fewer and fewer footholds for young talent? “I don’t think there’s a secret. I feel like everything is so circumstantial,” he explained. When pressed, he added, “Both my mom and my dad have a lot of connections in fashion, I guess.” His mother, a graphic designer, got him interested in clothes and style early on. His father, a lawyer, worked “for a long time” with BCBG. And there’s his godmother, Numéro editor–in-chief Babette Djian. “She’s been great,” Grinspan admits. “We go to fashion shows together if we both have an invite. But I would never call her up and say, ‘Please take me to Jean Paul Gaultier!’ That’s not what I want our relationship to be.”
If things keep going the way they’re going, the occasional missing invite won’t be an issue. And why shouldn’t they? Grinspan has a way about him, evident in the manner in which he politely escorted Clark up the stairs at Rowley’s party and posed with him for photos. Clark, like Rowley, couldn’t recall how he and Grinspan had first started talking, but he did remember meeting Grinspan face to face. “He’s very enthusiastic, but not overbearing at all—just a nice young man,” he said. And one more likely to make a splash than all the others.
Givenchy’s Mert & Marcus-lensed Fall campaign broke today, starring two generations of Roitfelds, Amanda Seyfried, and models Dalianah Arekion and Quim Gutiérrez, but time and tide wait for no label. Hot on the heels of the campaign, Riccardo Tisci unveils its Pre-Spring men’s collection exclusively on Style.com. Anyone who’s had an eye on the Fall womenswear will recognize it as a cousin. Florals, flames, and camouflage motifs abound, and those who eyed the bricolage Bambi tees that look likely to be the latest runaway hit will be glad to find them here in men’s versions, too. Even Luigi Murenu’s painted hairdos from the women’s show get translated for the guys. (The sharp tailoring and sporty Bermuda short/leggings combination is classic Givenchy men’s.)
The collection, Tisci says, takes inspiration from Latin culture, and has the potentially sensitive name of Favelas 74. (1974 is Tisci’s birth year.) “Men in favelas are more natural and more confident about their sexuality,” he explains. “They are not scared to mix and match clothing. They represent sensuality, street, and elegance—what I recognize as elegance. I love the fact that they play with opposite things like flowers (which represent peace and serenity) and camouflage (which represents the army), but all interpreted in a very colorful and positive way.”