31 posts tagged "Carol Lim"
From the streets of New York to the Paris ateliers, fashion is in a California state of mind. For proof, look at all the references to West Coast skate, surf, rave, grunge, and lowrider subcultures on the Spring ’14 runways. Hedi Slimane, who was fetishizing Los Angeles and its underground scenes long before he landed at Saint Laurent, is at least partly responsible for this mass migration, but Kate and Laura Mulleavy deserve credit, too. After taking us “back home to Santa Cruz” last season, the Rodarte sisters’ L.A.-inspired lineup was full of chola-girl plaid shirts styled with snapbacks, satin bras, studded suspenders, and fringed skirts. Tommy Hilfiger, meanwhile, transformed Pier 94 into an epic beachscape with a boardwalk runway that complemented his sun-kissed, sporty clothes; Humberto Leon and Carol Lim channeled SoCal street racing at Opening Ceremony; and Jeremy Laing described his Spring collection as “Malibu Beach Barbie goes to a rave.”
Crusader is as much of a job descriptor for Vivienne Westwood as fashion designer. And among her agendas, no cause resonates more acutely than her crusade to fight climate change. For Spring ’14, the designer sent out models in plastered-and-fractured makeup at Vivienne Westwood Red Label, the effect of which she likened to animals being “trapped” in the headlights. One look, a strapless brocade dress in pale gold and lavender, topped a ratty T-shirt that read “Climate.” Here, the message rang loud and clear. Moreover, Westwood gave out pre-addressed postcards to U.N. Secretary General Ban Ki-moon, instructing editors to write down their own ecological apprehensions.
But Westwood wasn’t the only designer who expressed her environmental concerns this season. Christopher Kane showed metallic teardrop cutouts on dresses—”Sterilized petals,” he called them. He also offered diagrammatic outlines of botanicals, paired with blocky letters spelling “Petal” and “Flower.” His wares appeared to place a conscious emphasis on the synthetic over the natural. At Dior, Raf Simons printed slogans such as “Alice Garden” and “Primrose Path” along brightly colored numbers that seemed to suggest a kind of nuclear summer, mutated wisteria included.
Shifting from terra firma to the big blue sea, Kenzo‘s Carol Lim and Humberto Leon addressed the problem of overfishing: In addition to a few fun aquatic prints, there was a T-shirt that read “No Fish, No Nothing.” “The challenges facing our oceans are a global concern,” Leon told Style.com. “The shirt is an effort to help raise awareness through fashion’s strong voice.” A portion of the garment’s proceeds will go to the Blue Marine Foundation, which battles fish-stock depletion worldwide.
Opening Ceremony‘s world tour in style has taken it to Japan, Korea, the U.K., and Argentina. For its latest cultural tourism via fashion import, Humberto Leon and Carol Lim turned their attention to Belgium. For fall 2013, Opening Ceremony welcomes a new crop of Belgium-based designers to its ranks, many for the first time.
The timing is good. Fashion is in the grips of Belgo-mania, it seems. (I don’t say that just because I’ve contrived to make two trips to Antwerp in the past year.) Raf Simons may be going from strength to strength at Dior, but he’s helming the French-est of French lines from his native Antwerp. His namesake men’s collection will soon be on O.C.’s shelves. (He also sat down with Leon for a long interview coming soon to the store’s blog.) Dries Van Noten, one of the original members of the Belgian craze’s first wave in the eighties as part of the Antwerp Six, will be honored with a retrospective at Paris’ Musée Galliera this spring; before then, his men’s and women’s collections will come to O.C. for fall. Belgian cult favorite Veronique Branquinho returned from semi-retirement last season. Her work will be on offer, too. So will that of Belgium’s established lions, many of them underappreciated and understocked in the U.S. (Walter Van Beirendonck, Stephan Schneider), and of many of its up-and-coming guard (Woolmark winner Christian Wijnants, knit line Chauncey, former Cacharel designer Cédric Charlier). Leon and Lim even selected their favorites of the graduating class of the Royal Academy of Fine Arts.
“It has been especially exciting to put together this yearly focus, because we have the icons and the new masters of Belgium fashion as well as the fresh, young talents all in store,” they said.
Leave it to Kenzo designers and Opening Ceremony founders Humberto Leon and Carol Lim to host a full-on Fourth of July BBQ a Paris. On Thursday, the pair invited guests such as André Saraiva, Rose McGowan, Sarah Andelman, Ellen von Unwerth, and Léa Seydoux to the Jardin d’Acclimatation, where they got their fix of hamburgers, hot dogs, fries, and nineties jams. The occasion (other than an Independence Day celebration for the visiting Américains) was the unveiling of Kenzo’s Fall ’13 campaign. This season, the designers teamed up with Toilet Paper magazine founders (and the evening’s cohosts) Maurizio Cattelan, Pierpaolo Ferrari, and Micol Talso, to create their imagery. The surreal ads (below) star Leon and Lim pals Rinko Kikuchi and Sean O’Pry, who pose among a cast of giant insects, gangs of mice, bananas, kittens hiding in boots, the Fall collection’s eye motif, and Cattelan’s favorite—the tiger dog.
Cattelan—an OC devotee—reported that he was pleasantly surprised when Leon and Lim called to collaborate, and described the shoot as a “creative laboratory.” In addition to appearing in Fall glossies, the ads will be featured in Kenzine—a limited-edition Toilet Paper-esque magazine—as well as on a capsule collection of sweatshirts and T-shirts, which will hit stores this September.