38 posts tagged "Carol Lim"
Exclusive: LVMH Reveals the Forty Heavy Hitters on Its LVMH Prize for Young Fashion Designers Experts Panel-------
Back in November, we broke the news that LVMH was launching its new 300,000-euro LVMH Prize for Young Designers. After applications close on February 2, an LVMH team will select thirty promising talents from the long list of hopefuls. And during Paris fashion week, those up-and-comers will present their collections to an esteemed panel of forty industry insiders. Today, we can reveal the heavy hitters who will be sitting in the judges’ seats, and boy, if the fact that 300K is on the line doesn’t give the contestants butterflies, the international powerhouses set to survey their work just might. Central Saint Martins’ Louise Wilson, stylist Olivier Rizzo, Net-a-Porter’s Natalie Massenet, stylist Camilla Nickerson, Colette’s Sarah Andelman, Dover Street Market’s Adrian Joffe, and editor Katie Grand are just some of the experts in the group. Of course, we can’t leave out Style.com’s own Tim Blanks and Jo-Ann Furniss, who will be joining their peers in narrowing down the pool from thirty to ten designers. As for the ultimate winner, we’ll have to hold our breath until May, when a group including Nicolas Ghesquière, Marc Jacobs, Karl Lagerfeld, Humberto Leon, Carol Lim, Phoebe Philo, Raf Simons, and Riccardo Tisci, as well as Delphine Arnault, Jean-Paul Claverie, and Pierre-Yves Roussel decide who wins the grand prize. But considering the knowledge and taste levels the members of LVMH’s panel boast, it’s going to be worth the wait. Take a look at the full list of judges, below. As for the ultimate winner, we’ll have to hold our breath…
LVMH’s Panel of Experts
Imran Amed, founder and editor of Business of Fashion (London)
Sarah Andelman, creative director of Colette (Paris)
Fabien Baron, art director, founder of Baron & Baron (New York)
Tim Blanks, editor at large, Style.com (London)
Mariacarla Boscono, supermodel and muse (Rome)
Angelica Cheung, editor in chief of Vogue China (Beijing)
Alexandre de Betak, founder of Bureau Betak (Paris)
Godfrey Deeny, editor at large, fashion, Le Figaro (Paris)
Patrick Demarchelier, photographer (New York)
Babeth Djian, editor in chief of Numéro (Paris)
Linda Fargo, senior vice president of Bergdorf Goodman (New York)
Jo-Ann Furniss, writer, editor, and creative director (London)
Chantal Gaemperlé, LVMH group executive vice president for human resources and synergies (Paris)
Stephen Gan, founder of Fashion Media Group LLC (New York)
Julie Gilhart, consultant (New York)
Katie Grand, editor in chief of Love magazine (London)
Jefferson Hack, co-founder and editorial director of Dazed Group (London)
Laure Hériard Dubreuil, co-founder and chief executive of The Webster (Miami)
Adrian Joffe, chief executive officer of Dover Street Market International (London)
Sylvia Jorif, journalist at Elle magazine (Paris)
Hirofumi Kurino, creative Director of United Arrows (Tokyo)
Linda Loppa, director of Polimoda (Florence)
Natalie Massenet, founder and executive chairman of Net-a-Porter (London)
Pat McGrath, makeup artist (New York)
Marigay McKee, president of Saks Fifth Avenue (New York)
Sarah Mower, contributing editor, American Vogue (London)
Camilla Nickerson, stylist (New York)
Lilian Pacce, fashion editor and writer (São Paulo)
Jean-Jacques Picart, fashion and luxury consultant (Paris)
Gaia Repossi, creative director of Repossi (Paris)
Olivier Rizzo, stylist (Antwerp)
Carine Roitfeld, Founder of CR Fashion Book (Paris)
Olivier Saillard, director of the Galliera Museum (Paris)
Marie-Amelie Sauvé, stylist (Paris)
Carla Sozzani, founder of 10 Corso Como (Milan)
Charlotte Stockdale, stylist (London)
Tomoki Sukezane, stylist (Tokyo)
Natalia Vodianova, supermodel and philanthropist (Paris)
Louise Wilson, course director of the Fashion M.A. at Central Saint Martins College of Art and Design (London)
Dasha Zhukova, editor in chief of Garage magazine and founder of Garage Museum of Contemporary Art (Moscow)
Google’s not the only company that can play the tech-meets-fashion game. Last night at the Consumer Electronics Show in Las Vegas, Intel’s CEO Brian Krzanich announced the corporation’s new plan to produce functional tech accessories that are both wearable and aesthetically pleasing. Impossible? Not when you have Opening Ceremony’s Humberto Leon and Carol Lim on your team. The duo will design a smart bracelet, which, currently under development, will be unveiled at a yet-to-be-revealed date.
But one bracelet does not a revolution make, so in addition to OC, Intel has tapped Barneys (who will sell the forthcoming wristband and future products) and the CFDA (who will help emerging designers get on Intel’s wearable gadget bandwagon) to assist with the project.
Earlier today, Ayse Ildeniz, Intel’s VP of Business Development and Strategy of New Devices, hosted a panel to discuss the push. She was joined by OC’s Bettina Chin (Director of Special Projects) and Su Barber (Art Director), the CFDA’s Adam Roth (Director of Strategic Partnerships), and Barneys’ Matthew Woolsey (SVP of Digital). The takeaway from their chat? While functionality is key, the products have got to look great (if you recall, one of the biggest complaints about Google Glass, pairs of which were worn on Diane von Furstenberg’s Spring ’13 runway, was that it wasn’t exactly the sleekest thing on the block). “If wearables are to take off, it has to be an industry effort, and fashion and aesthetics have to be involved,” Ildeniz told Style.com after the panel. Woolsey concurred. “The design element is paramount to the way in which our customer engages with [the product],” he said. It’s worth noting that, through this project, Barneys will become the first luxury retailer to carry wearables.
So can Leon and Lim do for wearable tech what they did for Kenzo—that is to say, make it the cool set’s new must-have? Unfortunately, some blizzard-induced flight delays prevented Lim from attending the conference and addressing that in person. However, with a little help from a smartphone, Style.com was able to catch up with Lim about why OC and Intel are a natural fit, how she plans to make wearable tech covetable, and how her collaborative device will not only allow people to plug in, but offer them the option to turn off.
Why did you and Humberto say yes to the Intel project?
Technology in all forms has been really important to us, not only in our store and our collections, but also in terms of online retail. We had been watching the wearable technology space for quite some time before Intel approached us. We’d been thinking about how to incorporate [wearables] into our collection, so when this project came along, we thought it was a great opportunity. Intel represents such a strong force in technology, so we were happy to lend our design sensibility, and it makes sense to partner with someone whom we consider to be the expert.
Do you feel confident that the end result will resonate with the Opening Ceremony customer?
Absolutely. If you look at how people operate today, they use so many devices and applications. I think [wearable technology] is the next step in terms of how people interact. Your phone’s generally by your side, but you don’t always get a chance to look at it, so I think this product is a natural progression.
As far as stereotypes go, “fashion” people and “tech” people are about as opposite as you can get. How do you hope to bridge this perceived gap? And considering you design for Kenzo as well as Opening Ceremony, do you see wearable tech translating into luxury fashion?
When Intel approached us, they basically said, “We’re experts in technology, and we would rely on you to be experts in the field of creating an item that can stand on its own—an item that is beautiful, and that people will want.” I think that marriage of two partners with different talents is going to be very interesting. And you’re right, the fashion industry has been slow to adopt wearable technology. But I think that’s because it’s usually coming only from a technology point of view, rather than a combination of tech and design aesthetic. Our focus will be to create a covetable item that someone would want to wear regardless of the tech aspect. So I think this collaboration with Intel will stand out from other devices. Continue Reading “Fashion and Function: Opening Ceremony’s Carol Lim Talks Teaming Up With Intel” »
From the streets of New York to the Paris ateliers, fashion is in a California state of mind. For proof, look at all the references to West Coast skate, surf, rave, grunge, and lowrider subcultures on the Spring ’14 runways. Hedi Slimane, who was fetishizing Los Angeles and its underground scenes long before he landed at Saint Laurent, is at least partly responsible for this mass migration, but Kate and Laura Mulleavy deserve credit, too. After taking us “back home to Santa Cruz” last season, the Rodarte sisters’ L.A.-inspired lineup was full of chola-girl plaid shirts styled with snapbacks, satin bras, studded suspenders, and fringed skirts. Tommy Hilfiger, meanwhile, transformed Pier 94 into an epic beachscape with a boardwalk runway that complemented his sun-kissed, sporty clothes; Humberto Leon and Carol Lim channeled SoCal street racing at Opening Ceremony; and Jeremy Laing described his Spring collection as “Malibu Beach Barbie goes to a rave.”
Crusader is as much of a job descriptor for Vivienne Westwood as fashion designer. And among her agendas, no cause resonates more acutely than her crusade to fight climate change. For Spring ’14, the designer sent out models in plastered-and-fractured makeup at Vivienne Westwood Red Label, the effect of which she likened to animals being “trapped” in the headlights. One look, a strapless brocade dress in pale gold and lavender, topped a ratty T-shirt that read “Climate.” Here, the message rang loud and clear. Moreover, Westwood gave out pre-addressed postcards to U.N. Secretary General Ban Ki-moon, instructing editors to write down their own ecological apprehensions.
But Westwood wasn’t the only designer who expressed her environmental concerns this season. Christopher Kane showed metallic teardrop cutouts on dresses—”Sterilized petals,” he called them. He also offered diagrammatic outlines of botanicals, paired with blocky letters spelling “Petal” and “Flower.” His wares appeared to place a conscious emphasis on the synthetic over the natural. At Dior, Raf Simons printed slogans such as “Alice Garden” and “Primrose Path” along brightly colored numbers that seemed to suggest a kind of nuclear summer, mutated wisteria included.
Shifting from terra firma to the big blue sea, Kenzo‘s Carol Lim and Humberto Leon addressed the problem of overfishing: In addition to a few fun aquatic prints, there was a T-shirt that read “No Fish, No Nothing.” “The challenges facing our oceans are a global concern,” Leon told Style.com. “The shirt is an effort to help raise awareness through fashion’s strong voice.” A portion of the garment’s proceeds will go to the Blue Marine Foundation, which battles fish-stock depletion worldwide.