August 27 2014

styledotcom Why, oh why is fashion week so early this season? #NYFW

Subscribe to Style Magazine
21 posts tagged "Cecilia Dean"

They Were Excited, They Didn’t Hide It


Pedro Almodovar and the cast of "I'm So Excited"

The Sunshine Cinema theater on Houston was filled with laughs last night during The Cinema Society’s screening of Pedro Almodóvar’s latest bawdy comedy, I’m So Excited. The film is about a plane whose faulty landing gear spells impending doom for everyone on board. After a handful of business-class passengers conspire with the crew to ease “economy-class syndrome” by drugging everyone in coach, a ribald comedy of errors ensues. But what people enjoyed about the film wasn’t the salacious anything-goes humor, but rather the subtle satirical jabs the film takes at pop culture, the Spanish government, and, of course, plane travel. “Almodóvar is totally creative and outrageous, and takes chances nobody else does,” said Cecilia Dean. And she would know—the director has contributed to Visionaire many times over the years.

Unfortunately, Almodóvar had a bit of a sore throat and could not give interviews, but what the Spanish director could not say himself was made up for by praises from guests at the No. 8 after-party. Marc Jacobs, with boyfriend Harry Louis in tow, said that maybe some Spanish, Almodóvarian inspiration could be coming down the runway soon. “I love everything about him. He’s so funny, clever, and smart—a perfect director, with great vision.”

Photo: Matteo Prandoni/ 

Metal Heads


Visionaire’s latest book, Issue 63: FOREVER, comes out on May 11. And this year, the project has been underwritten by G-Shock—the watchmaker known for its durable timepieces. What’s the tie-in, you might ask? Visionaire’s avant-garde edition is rendered entirely in metal, and features images by artists and fashion designers that have been either hammered or laser-etched into 9 x 12 inch plates. Thus, both the timepieces and the tome are, in essence, everlasting.

“The word indestructible is the catalyst—if G-Shock does the indestructible watch, we want to do the indestructible publication. It was a nice, tight concept,” said Cecilia Dean, Visionaire’s cofounder and editor in chief. G-Shock, who’s celebrating its thirtieth anniversary and a recent store opening in Soho, liked the pitch and came on board to sponsor the inevitably “expensive” production

The idea for an all-metal issue was spawned during Dean’s time spent with Givenchy’s Riccardo Tisci, while working on Visionaire’s Issue 60: RELIGION. “In religious iconography, there’s all this incredible metalwork, the metal on the altars, gold painting—it’s just so beautiful and rich,” said Dean, adding, “I have to say, it’s so funny, everything goes back to Riccardo—a big inspiration was also the Jay-Z and Kanye West album cover he designed,” referring to 2011′s Watch the Throne.

FOREVER features everyone from a nymph-like Kate Moss, shot by Mario Testino, to a Karl Lagerfeld-lensed in-the-buff Baptiste Giabiconi, to a suggestive Lady Gaga snapped by Inez & Vinoodh, to Linda Evangelista ringed in light by Maurizio Cattelan and Pierpaolo Ferrari. “It’s Linda as a saint, basically,” said Dean.

To commemorate the coupling, G-Shock will open a mini-retrospective of Visionaire’s past (above) in its downtown outpost tomorrow. The exhibition runs through the end of May.

Photos: Inez & Vinoodh/ Visionaire (Lady Gaga Plate); Courtesy of G-Shock (installation)

Visionaire In 3-D


For its last issue, Visionaire set a world record for the largest magazine ever produced (it was fittingly dubbed the Larger Than Life issue #61). The newest edition might not win any awards for its physical size, but #62, which is all about Rio de Janeiro, has a cool factor all its own. Boldfaced names like Gisele Bëndchen, Mert Alas & Marcus Piggott, Lea T, Adriana Lima, Richard Phillips, Karl Lagerfeld, and Marilyn Minter collaborated on a series of 3-D images celebrating Brazilian culture that appear on double-image slides. To look at them, there’s a stereoscope (which creates the illusion of depth), designed by NYC-based design studio aruliden, that comes along in the 3-D lenticular case. Visionaire 62 Rio ($375, available this week at made its debut at the Iguatemi-hosted private launch party last night in São Paulo, but here, has an exclusive first look at some of the issue’s best images by Lagerfeld, Minter, and Jason Schmidt.

Photos: Karl Lagerfeld; Marilyn Minter; Jason Schmidt

Master Class


It might have been a balmy after-work Friday evening, but an impressive fashion lot made their way to Washington Square to preview Helmut Lang’s latest show, titled simply Helmut Lang: Sculptures. The power players in the room, including Barneys’ Mark Lee, Ed Filipowski, and Cecilia Dean, were a testament to the designer-turned-artist’s lasting draw. “It’s really a confirmation of Helmut’s style,” said Giambattista Valli, who was in town for the Met gala and was taking in the rubber, foam, sheepskin, and tar stacked sculptures—modern totems of a sort (pictured). Valli, who has never met Lang, admitted he had long been an admirer. “He came into fashion and completely changed the aesthetic,” he said. “It went from the over-the-top eighties to his own clean and spare aesthetic. If you look around, his aesthetic continues to today.”

Lang’s forward-thinking, stark work contrasted particularly nicely with the classic parlor-floor town house space, including vintage moldings. The viewing venue came courtesy of art veteran Mark Fletcher, who co-curated the exhibit with Neville Wakefield. “It’s not easy to make the transition from fashion to art,” Fletcher said. “But when Helmut shredded his fashion archive, I thought ‘This guy is really serious.’ ” Fletcher was also quick to point out, though, that those with vision shouldn’t be restricted. “People like to keep people in specific arenas, whether it’s art, music, film, or fashion,” he said. “But transgressing cultural boundaries is what’s interesting. Look at Tom Ford.”

Helmut Lang: Sculptures, 24 Washington Square North, is on view until June 15.

Photo: Courtesy Photo

Nicholas Kirkwood’s New Digs: 1,500 Square Feet Of Shoes And A Garden To Boot


Two days before the opening of his New York store—his first on U.S. soil—Nicholas Kirkwood is talking by phone from the space, which, from the sound of it, is still very much a construction site. The 1,500-square-foot store, with its white, gray, and beige palette and minimal decor, will have, he says, “a charming feeling. It’s all very easy on the eye. It’s hopefully a relaxing kind of shopping experience.” Behind him, a very loud horn blares. “A boat?” he wonders with a laugh. (The Hudson River is a block away.)

If he isn’t able to relax just yet, it’s easy to believe relief is coming soon. Kirkwood is arguably the most exciting new footwear designer of the last few years, and his New York location is poised to be a major new outpost for his brand. The store is designed to emphasize space: “I like the idea of doing something else that you can kind of walk around and explore it,” he says. “It kind of has a gallery-esque feeling, without being quite as cold as a gallery.” (The reference is apt; the new, downtown site of the Whitney Museum will be just across the street when it opens. “That’s going to be absolutely fantastic,” he says.)

The store will sell the full Kirkwood collection, as well as a selection of collaborations with other designers, including Peter Pilotto, Erdem, and Paco Rabanne, at the opening; other collaborations, like the shoes he makes for Prabal Gurung, will eventually arrive. Just outside, and visible through the back windows, is a garden. “The luxury of having a garden in New York is quite special,” he says. For the opening, Cecilia Dean and Anne Christensen will host a private tea party; customer events will likely follow.

The store debuts with an opening party on Friday night, once every tile and display is in place. Is Kirkwood swinging a hammer himself, a reporter wonders? “I might do,” Kirkwood deadpans, “if they don’t hurry up.”

Nicholas Kirkwood opens Friday, May 4, at 807 Washington St., NYC,

Photos: John Aquino